Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-22T07:11:47.214Z Has data issue: false hasContentIssue false

A Romanesque Capital at Ely Cathedral

Published online by Cambridge University Press:  21 April 2011

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Notes
Copyright
Copyright © The Society of Antiquaries of London 1986

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

64 The two other styles represented by the south transept capitals at Ely are a still vigorous Anglo-Saxon style, characterized by stylizedfoliate motifs similar to those found in such illuminated manuscripts as Ælfric's Pentateuch (British Library, Cotton Claudius BIV), and a purely Norman style, manifest in the simple geometric ornamentation of a number of the capitals' volute leaves.

65 The Early Sculpture of Ely Cathedral (London, 1958), 11Google Scholar.

66 Although probable, it is not known that the abbey possessed any embroidered wall-hangings contemporary with the Bayeux Tapestry. We do know, however, that soon after his death at the Battle of Malden (991) the widow of Bryhtnoth, Alderman of Essex, gave the monks an embroidered hanging depictingheroic scenes from his life.

67 Unfortunately one of these lions is hidden from general view by the nineteenth-century partition wall which encloses all but the southernmost bay of the south transept's east aisle.