Hostname: page-component-cd9895bd7-gbm5v Total loading time: 0 Render date: 2024-12-24T18:29:43.905Z Has data issue: false hasContentIssue false
  • English
  • Français

Monsters and Messages: The Willmott and Braikenridge Manuscripts of Latin Tudor Church Music, 1591

Published online by Cambridge University Press:  21 April 2011

Judith Blezzard
Get access Rights & Permissions [Opens in a new window]

Extract

The Willmott and Braikenridge manuscripts (1591) are the survivors from five partbooks containing twenty-seven pieces of Latin church music. Nine composers, most of them English, are represented. The source transmits entire pieces rather than only particular sections. It follows no conventional copying scheme reflecting derivation from other sources, from liturgical or seasonal use, or from groupings by composer, text or number of voiceparts. There are numerous inscriptions and drawings. Their nature, together with the choice and order of the Latin texts, suggests that the source was a statement of allegiance to Roman Catholicism by the scribe, John Sadler, schoolmaster and Anglican priest, of Northamptonshire.

Type
Research Article
Information
The Antiquaries Journal , Volume 75 , September 1995 , pp. 311 - 338
Copyright
Copyright © The Society of Antiquaries of London 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Backhouse, J. (ed.) 1974. John Scottowe's Alphabet Books, LondonGoogle Scholar
Benham, H. (ed.) 1981. ‘John Taverner: II: Votive antiphons’ in Early English Church Music, 25, LondonGoogle Scholar
Blezzard, J. 1984. ‘Reconstructing early English vocal music: history, principle and practice’, The Music Review, 45 no. 2, 85–95Google Scholar
Brett, P. 1964-1968. ‘Edward Paston (1550-1630): a Norfolk gentleman and his musical collection’, Trans. Cambridge Bibliographical Soc, 4, 51–69Google Scholar
Brett, P., (ed.) 1973. The Byrd Edition, LondonGoogle Scholar
Buck, P. C., Fellowes, E. H., Ramsbotham, A. and Townsend Warner, S. (eds.) 1923. ‘John Taverner’ in Tudor Church Music, 1, LondonGoogle Scholar
Buck, P. C., Fellowes, E. H., Ramsbotham, A., (eds.) 1928. ‘Thomas Tallis’ in Tudor Church Music, 6, LondonGoogle Scholar
Burke, J. B. 1878. The General Armory of England, LondonGoogle Scholar
Butterworth, C. C. 1953. The English Primers 1529-45: their Publication and Connection with the English Bible and the Reformation in England, PennsylvaniaGoogle Scholar
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. 2, 1982 and 3, 1984, Stuttgart. Musicological Archives for Renaissance Manuscript Studies, American Institute of MusicologyGoogle Scholar
Cirlot, J. E. 1967. A Dictionary of Symbols, (reprinted 1985), LondonGoogle Scholar
Danbury, E. 1989. ‘The decoration and illumination of royal charters in England, 1250-1509: an introduction’ in England and her Neighbours, 1066-1453 (eds. Jones, M. and Vale, M.), 157–79, London and RonceverteGoogle Scholar
Dobbins, F. 1980. ‘Boni’ in The New Grove Dictionary of Music and Musicians, (ed. Sadie, S.), 3, 20–1, LondonGoogle Scholar
Doe, P. 1968. Tallis, (2nd edn. 1976), LondonGoogle Scholar
Fairbank, A. and Wolpe, B. 1960. Renaissance Handwriting: an Anthology of Italic Scripts, LondonGoogle Scholar
Fellowes, E. H. (ed.) 1948. Tudor Church Music: Appendix with Supplementary Notes, LondonGoogle Scholar
Ferguson, G. W. 1954. Signs and Symbols in Christian Art, LondonGoogle Scholar
Finch, M. E. 1956. ‘Five Northants families,’ Northants Record Soc, 19, OxfordGoogle Scholar
Greenall, R. L. 1979. A History of Northamptonshire, LondonGoogle Scholar
Haberl, F. X. and Sandberger, A. (eds.) 1894-1926. Orlande de Lassus: Samtliche Werke, 21 vols., LeipzigGoogle Scholar
Hall, J. 1974. Dictionary of Subjects and Symbols in Art, (reprinted 1991), LondonGoogle Scholar
Harrison, F. L. L. (ed.) ‘The Eton Choirbook’, Musica Britannica, 10 (1956, 2nd edn. 1969); 11 (1958, 2nd edn. 1973); 12 (1961, 2nd edn. 1973), LondonGoogle Scholar
Harrison, F. L. L., (ed.) 1963. ‘William Mundy: Latin antiphons and psalms’, Early English Church Music, 2, LondonGoogle Scholar
Heal, A. 1931. The English Writing-Masters and their Copy-Books, LondonGoogle Scholar
Hofman, M. and Morehen, J. 1987. Latin Music in British Sources c. 1485-c. 1610, LondonGoogle Scholar
Hoskins, E. 1901. Sarum and York Primers, (reprinted 1969), London, FarnboroughGoogle Scholar
Kerman, J. 1961. ‘Byrd's motets, chronology and canon’, J. American Musical. Soc, 14, 359–82CrossRefGoogle Scholar
Kerman, J., 1962. ‘The Elizabethan motet: a study of texts for music’, Studies in the Renaissance, 9, 273–308CrossRefGoogle Scholar
Kerman, J., 1963. Letter in J. American Musicol. Soc, 16, 110CrossRefGoogle Scholar
Kerman, J., 1980. ‘Byrd’ in The New Grove Dictionary of Music and Musicians, (ed. Sadie, S.), 3, LondonGoogle Scholar
Kerman, J., 1981. The Masses and Motets of William Byrd, LondonGoogle Scholar
Lesure, F. 1952. ‘Boni’ in Die Musik in Geschichte und Gegenwart, (ed. Blume, F.), 2, 106–7, KasselGoogle Scholar
Magee, B. 1938. The English Recusants, LondonGoogle Scholar
Mateer, D. G. 1979. ‘John Sadler and Oxford, Bodleian manuscripts Mus. e. 1-5’, Music and Letters, 60, 281–95CrossRefGoogle Scholar
Petti, A. G. 1963. ‘Beasts and politics in Elizabethan literature’ in Essays and Studies, 68–90, LondonGoogle Scholar
Pevsner, N. 1961. The Buildings of England Northamptonshire, (revised 1973), HarmondsworthGoogle Scholar
Purvis, J. S. 1957. Notarial Signs from the York Archiepiscopal Records, London and YorkGoogle Scholar
Rees, O. 1992. ‘The English background to Byrd's motets: textual and stylistic models for “Infelix ego’” in Byrd Studies (eds. Brown, A. and Turbet, R.), 24–49, LondonGoogle Scholar
Scott-Giles, C. W. and Brooke-Little, J. P. (eds.) 1966. Boutell's Heraldry, LondonGoogle Scholar
Serjeantson, R. M. and Adkins, W. R. D. (eds.) 1906. The Victoria History of the County of Northampton, 2, LondonGoogle Scholar
Skinner, D. 1994. ‘At the mynde of Nycholas Ludford’, Early Music, 22 no. 3, 393–413CrossRefGoogle Scholar
Squire, W. B. 1898. ‘On an early sixteenthcentury manuscript of English music in the library of Eton College’, Archaeologia, 56, 89–102CrossRefGoogle Scholar
Stowe, J. ićii. Annales or a General Chronicle of England to 1631, LondonGoogle Scholar
Summerson, J. 1953. Architecture in Britain 1530-1830, (revised edn. 1983), HarmondsworthGoogle Scholar
White, T. H. 1954. The Book of Beasts, being a Translation from a Latin Bestiary of the Twelfth Century, (reissued 1969), LondonGoogle Scholar