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Ars Hispaniae: Historia Universal del Arte Hispánico, Vol. VI. Pintura e Imaglneria Románicas, por W. W. S. Cook y J. Gudiol Ricart. 11 × 9. Pp. 404; pls. 449. Madrid, Editorial Plus-Ultra, 1950. £3. 5s.
Published online by Cambridge University Press: 29 November 2011
Abstract
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- Copyright © The Society of Antiquaries of London 1952
References
page 91 note a When the convent was fired in July 1936 the splendid coffered ceiling of the chapter-house was destroyed, and the wall paintings irreparably damaged.
page 91 note b The best of the Berlanga frescoes were sold to dealers by the peasant-owners in 1922. Two of the finest, ‘The Last Supper’ and ‘The Marys at the Tomb’, are in the Boston Museum of Fine Arts.
page 92 note 1 An extraordinary detail in this scene helps to identify the fresquista of the lateral apse of Santa Maria of Tarrasa, dated c. 1180, with the painter of the Epiphany frontal of Espinelvas, viz. the wearing of stocking-suspenders by one of the knights at Canterbury and by Gaspar and Melchior in the Epiphany scene (figs. 64, 187).