¹ For accounts of Lord Charlemont's life see Hardy, F., Memoirs of the Political and Private Life of James Caulfield, Earl of Charlemont (1810)Google Scholar and Craig, M., The Volunteer Earl (1948)Google Scholar.

² Malins, Edward and the Knight of Glin, Lost Demesnes (1976), pp. 136–44.Google ScholarWynne, M., ‘The Charlemont Album’ in Quarterly Bulletin of the Irish Georgian Society, xxi (Jan.-June 1978), 1–3Google Scholar.

³ A Gothic temple almost certainly built to a design by Johann Heinrich Müntz and entitled by the architect ‘An Egyptian Building’, presumably in reference to the antiquities it was intended to house rather than its style. For a section drawing by Müntz from the Lewis-Walpole Library see Harris, John, A Catalogue of British Drawings for Architecture, Decoration, Sculpture and Landscape Gardening, 1550-1900, in American Collections (1971)Google Scholar. Müntz was in Rome at the same time as Lord Charlemont and they shared an interest in ancient vases. See McCarthy, Michael: ‘Johann Heinrich Miintz; The Roman Drawings (1749–76)’, in Burlington Magazine, cxix (May 1977), 335–40Google Scholar.

⁴ The action is not uncommon; for both seated and standing figures see Conze, A., Die attischen Grabreliefs, ii (1900), pls. CXXXI–CXXXIIGoogle Scholar.

⁵ Johansen, K. Friis, The Attic Grave-reliefs of the Classical Period (1951), pp. 149 and 162.Google Scholar

⁶ Ibid., p. 30.

⁷ Adam, Sheila, The Technique of Greek Sculpture (1966), p. 108.Google Scholar

⁸ Johansen, , op. cit., passim, especially pp. 139. 159.Google Scholar

⁹ Pape, W., Wörterbuch der griechischen Eigennamen (2nd ed., 1863–70), s.v.Google Scholar

¹⁰ Kirchner, J., Prosopographia Attica (1901), pp. 358ff., nos. 5513–43.Google Scholar

¹¹ Diepolder, H., Die attischen Grabreliefs des 5. und 4. Jahrhunderts v. Chr. (1931), p. 43.Google Scholar

¹² Sotheby's Catalogues. The coins were sold 27th and 28th June 1865. The books and MSS. were to have been offered 10th July and 7 following days, but fire on the premises destroyed a part of the library. Residue sales subsequently took place 11th August and 27th September 1865.

¹³ Dalton, R., Musaeum Graecum et Egyptiacum (1752)Google Scholar and Antiquities and Views in Greece and Egypt (1791)Google Scholar.

¹⁴ Royal Irish Academy, MSS vols. 12.R.5 and 12.R.6.

¹⁵ Ibid., 12.R.5, p. 14.

¹⁶ H.M.C. 12th Report, App.X (1891), p. 192.

¹⁷ R.I.A. Charlemont Correspondence 12.R. 12, no. 16: Bill of lading. Murphy's cases contained 78 busts and 22 statues sculptured in Rome by Simon Vierpyl: Strickland, W. G., Dictionary of Irish Artists (1913, 2 vols.), pp. 488–9Google Scholar.

¹⁸ H.M.C. loc. cit. (note 16). Murphy's boxes from Rome were unlikely to have lain long in a damp place, so presumably those noticed by Adderley were Charlemont's.

¹⁹ Ibid., p. 195.

²⁰ Ibid., p. 197. Joseph Wilton's copy of the Medici Venus.

²¹ Ibid., p. 218.

²² Ibid., 218.

²³ Ibid., p. 197.

²⁴ Pool, R. and Cash, J., Views of the most remarkable Public Buildings … in the City of Dublin (1780), p. 115.Google Scholar

²⁵ R.I.A., 12.R.6. pp. 108–44.

²⁶ ‘The Manuscripts of Lord Charlemont's Eastern Travels’ in Proceedings of the Royal Irish Academy, lxxx, C, 5 (1980), 69 ff.Google Scholar

²⁷ R.I.A., 12.R.6, pp. 90, 93–4.

²⁸ Newton, C. T., Travels and Discoveries in the Levant (1865), p. 144Google Scholar; Essays on Art and Archaeology (1880), p. 106Google Scholar.

²⁹ H.M.C. loc. cit. (note 16), p. 317.Google Scholar

³⁰ The Collection of Ancient Greek Inscriptions in the British Museum, iv (1893), p. 49.Google Scholar

³¹ Op. cit. (note 26), 80.