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An unusual find in the New Forest Potteries at Linwood, Hants
Published online by Cambridge University Press: 08 January 2012
Extract
For over three-quarters of a century the New Forest potteries have had their place in the archaeology of Roman Britain. The first discoveries at Crock Hill were made by the Rev. J. P. Bartlett in 1852, and our Secretary Akerman's paper on these, together with J. R. Wise's work at Islands Thorns and elsewhere, soon made ‘New Forest ware’ as familiar a household word as ‘Castor’ or ‘Upchurch’ in the mouths of Victorian antiquaries. These researches made it clear that the potteries flourished mainly in the latter part of the Roman period: not only do we hear of no associations with ‘Samian’ (Terra Sigillata), but the majority of the coin-finds, rare as they were, were later than the middle of the third century. But to the early explorers ‘the Romans’ remained always alien conquerors, and it was left for Haverfield, who reviewed the material in 1900, to point out that the New Forest wares ‘have no Roman or Italian analogies, and are obviously native’. ‘It is a melancholy pleasure’, he remarked, ‘to find in this secluded corner of Britain a survival, however poor, of native ways.’ And in his Romanization of Roman Britain he duly quoted ‘the New Forest urns with their curious leaf-ornament’ among the ‘little local manufactures’ attesting the ‘sporadic survival’ of native Celtic art under Roman rule. But both there and in Professor Collingwood's Roman Britain it is in the livelier decoration of Castor ware that this was more explicitly recognized; and in the latest expression of his judgement, Professor Collingwood sums the matter up in a more guarded fashion.
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- Copyright © The Society of Antiquaries of London 1938
References
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page 135 note 1 Just as the analogous patterning of Germanic ‘animal-art’ reflects in its own way a different version of the same pagan mysticism.