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Sport and Democracy in Classical Athens*

Published online by Cambridge University Press:  08 February 2017

David M. Pritchard
David M. Pritchard*
Affiliation:
L’Université de Strasbourg/The University of [email protected]
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Abstract

This article addresses the neglected problem of elite sport in classical Athens. Democracy may have opened up politics to every citizen, but it had no impact on sporting participation. Athenian sportsmen continued to be drawn from the elite. Thus it comes as a surprise that non-elite citizens judged sport to be a very good thing and created an unrivalled program of local sporting festivals on which they spent a staggering sum. They also shielded sportsmen from the public criticism that was otherwise normally directed towards the elite and its exclusive pastimes. The work of social scientists suggests that the explanation of this problem can be found in the close relationship that non-elite Athenians perceived between sporting contests and their own waging of war. The article’s conclusion is that it was the democracy’s opening up of war to non-elite citizens that legitimised elite sport.

Type
Research Article
Information
Antichthon , Volume 50 , November 2016 , pp. 50 - 69
Copyright
© The Australasian Society for Classical Studies 2017 

Introduction

Athenian democracy may have opened up politics to every citizen but it had little impact on sporting participation. For almost the entire classical period athletics continued to be an exclusive pastime of the upper class. Consequently, it is a paradox that sport was still highly valued and supported by the lower class. In fact, the Athenian dēmos (‘people’) judged athletics to be a good thing. The political power that they had allowed them to turn this high evaluation into pro-sport policies. Therefore, in their democracy’s first fifty years they created an unrivalled program of local sporting festivals, on which they spent a great deal of money. They carefully managed sporting infrastructure and protected athletics from the public criticism that was normally directed at the upper class and its exclusive pastimes. Social-science research suggests that the cultural overlap between sport and war could account for this paradox. The classical Athenians conceived of games and battles in identical terms: they were agōnes (‘contests’) that involved ponoi (‘toils’) and kindunoi (‘dangers’). For them victory in both agōn-types depended on the aretē (‘courage’) of competitors.

In the sixth century, before Athenian democracy, war was largely an elite pursuit, but, in the next century, it underwent a profound democratisation. This ensured that the cultural overlap between sport and war had a double impact on the standing of athletics. With the creation of a public army of hoplites and a large public fleet, military service was extended to every social stratum. Under Athenian democracy it was how audiences of non-elite citizens responded that determined the outcomes not only of public debates but also of dramatic competitions. Consequently, speakers and playwrights were under great pressure to represent the new experiences of non-elite hoplites and sailors in terms of the traditional moral explanation of victory in sport and war. The first effect of this democratisation was that lower-class citizens closely associated upper-class sport with the mainstream and the highly valued public activity of war. The second effect was that the dēmos now had personal experience of something that was akin to athletics. The result was that they could more easily empathise with what athletes actually did. Together these two effects fully account for the paradox of elite sport under Athenian democracy.

In the classical period’s last decade the Athenian dēmos belatedly took steps to open up sporting participation. In the mid-330s they created a two-year training program for future hoplites. By covering living expenses and the wages of teachers, they succeeded in recruiting large numbers of lower-class Athenians. In the first year of this ephēbeia (‘cadetship’) each tribe’s ephebes competed as torch racers and attended the classes of an athletics teacher. The dēmos got them to do this, because it would, they believed, better socialise them into the values of war. What made it possible for them to take these steps was the close connection that they already perceived between sport and war. But in the decade that remained of the classical period the ephēbeia had little impact on the background of those who competed as athletes. As the Athenians only became ephebes when they turned eighteen, families who wanted their boys to be athletes still had to pay for private sports classes. Lower-class ephebes would also have been reluctant to enter other athletic agōnes, as they knew that they would be competing against men who had trained and competed as athletes throughout their boyhoods.

2. The Sporting Passions of the Athenian People

The Athenian dēmos lavished a lot of time and money on sporting contests. They regularly staged polis-sponsored festivals and public sacrifices throughout the year (e.g. Isae. 9.21; Isoc. 7.29; Lys. 30.19-20). With some justification they believed that they had more of them than any other Greek state (e.g. Isoc. 4.45; [Xen.] Ath. Pol. 3.2; cf. Ar. Nub. 307-10). Most of their competitive festivals were established in the first fifty years of their democracy.Footnote 1 Athletics featured in two thirds of the fifteen competitive festivals that the Athenian polis (‘city-state’) managed.Footnote 2 It did so much more often than the other types of agōnes. Therefore the popularity of athletics paralleled the flourishing of Athenian democracy.Footnote 3 The most extensive program of contests was staged at the Great Panathenaea.Footnote 4 This was the large-scale version, held every four years, of Athens’s annual festival for its patron goddess. It celebrated the Gigantomachy and Athena’s prominent role in this military victory of the Olympians over the Giants (e.g. Arist. fr. 637 Rose).Footnote 5 In the 380s the four-yearly festival had agōnes for individuals in 27 athletic, equestrian and musical events (IG ii2 2311).Footnote 6 In addition, contests for groups were staged for pyrrhic and dithyrambic choruses, and for tribal teams of torch racers, sailors and manly young men. These events were more numerous than those of the ancient Olympics.Footnote 7 Eight other Athenian festivals had sporting contests.Footnote 8 The annual games for the war dead, the Eleusinia, which was staged in three out of four years, and the four-yearly festival of Heracles at Marathon each had a large set of athletic, equestrian and musical events.Footnote 9 Five other annual festivals also featured a single athletic or equestrian contest.Footnote 10

The dēmos made upper-class citizens pay for a large part of the fixed-operating costs of these festivals (e.g. Xen. Oec. 2.6). The lampadēphoroi (‘torch racers’) of the Great Panathenaea, Hephaesteia and Prometheia competed and trained as part of teams which had been drawn from the Cleisthenic tribes. The cost of training each of these ten teams fell to an upper-class citizen serving as a gumnasiarkhos or athletic-training-sponsor (e.g. Xen. Vect. 4.51-2). A khorēgos (‘chorus-sponsor’) did the same for each of the choruses that competed in Athens’s dramatic and dithyrambic contests (e.g. [Arist.] Ath. Pol. 56.2-3).Footnote 11 During the 350s these festival liturgies added up to 97 annually, rising to 118 in the years of the Great Panathenaea.Footnote 12

In antiquity the complaint was occasionally made that the Athenians actually spent more on staging festivals than on fighting wars (e.g. Dem. 4.35-7; Plut. Mor. 349a). Since the early nineteenth century some scholars have viewed this ancient complaint as fully justified.Footnote 13 Athenian democracy undeniably did spend a large amount of money on festivals. But careful comparison of its actual spending on them and on its armed forces shows this complaint to be an exaggeration. What the Athenians spent on wars manifestly always dwarfed all other public spending combined.Footnote 14 In the 420s public spending alone on the armed forces was, on average, 1500 talents (‘t.’) per year.Footnote 15 In the 370s the average annual total of all spending on war was 500 talents.Footnote 16 In spite of this, the Athenians still placed a high priority on generously funding their festivals. They spent 25 talents on each celebration of the Great Panathenaea.Footnote 17 The entire program of state-administered festivals probably consumed no less than 100 t. each year.Footnote 18 This was a lot of money: it was comparable to the fixed-operating costs of the government of fourth-century Athens.Footnote 19 Therefore, the Athenian dēmos may have treated war-making as their top public priority, but they still spent a truly staggering sum on their festivals.

Athenian democracy also prioritised public infrastructure for athletic education.Footnote 20 Politicians clearly got ahead in their agōnes for pre-eminence with each other by taking care of the states three gumnasia or publicly owned athletics fields.Footnote 21 For example, in the fifth century Cimon spent his own money on providing proper running tracks and landscaping for the Academy (Plut. Cim. 13.7). Pericles used public funds to renovate the Lyceum (Harp. s.v. ‘Lyceum’). Alcibiades proposed a law concerning Cynosarges (Ath. 234e; IG i3 134). In the fourth century Lycurgus oversaw not only the completion of the stone theatre of Dionysus but also the building of the Panathenaic stadium and the renovation of the Lyceum.Footnote 22 Athenian treasurers kept a close watch on the finances of these athletics fields (e.g. IG i3 369). The dēmos introduced a poll tax on its horsemen, hoplites and archers for the upkeep of the Lyceum (IG i3 138).Footnote 23

This public support of sport was reflected in Old Comedy.Footnote 24 Surviving comedies can give the impression that simply everyone in the public eye was a victim of comic ridicule. Yet an important study of the targets of the Old Comedy writers shows that one group of conspicuous Athenians escaped such personal attacks: Athenian athletes.Footnote 25 In contrast to their treatment of other upper-class activities, the comic poets also did not subject athletics to sustained parody or direct criticism. They assumed that sport was an overwhelming good thing. For example, in Clouds Aristophanes couples the ‘old education’, of which athletics is the main component, with norms of citizenship and manliness (Nub. 961, 972-84, 1002-32). His ‘Better Argument’ argues that traditional education flourished at the same time as two of the cardinal virtues of the Greek city: justice and sōphrosunē (or ‘moderation’) (960-2; cf. Ran. 727-8). It also nurtured ‘the men who fought at Marathon’ (Nub. 985-6). According to ‘Better Argument’, this education ensures a boy will have ‘a shining breast, a bright skin, big shoulders, a small tongue, a big backside and a small penis’ (1009-14; cf. 1002). Depictions of athletes on red-figure pots reveal most of these to be the physical attributes of the ‘beautiful’ young man.Footnote 26 The ‘new education’ of the sophists, ‘Better Argument’ continues, results in ‘pale skin’ and other undesirable physical features, and has emptied the wrestling schools of students’ (103, 119-20, 186, 407, 718, 986-8, 1017, 1112, 1171).

Tragic poets and public speakers also depicted athletics as an unambiguously good thing.Footnote 27 Athenian playwrights may have come from the upper class, but their audience was drawn from the same social strata as assembly-goers (e.g. Ar. Ran. 778-9; Pl. Leg. 700c-1a; Resp. 492b-c).Footnote 28 Even at the festival of the Great Dionysia, where representatives of Athens’s imperial subjects were present (e.g. Ar. Ach. 502-7; Isoc. 8.82), the majority of theatre-goers were non-elite Athenians.Footnote 29 Formally ten judges voted on who should win the dramatic agōnes.Footnote 30 But they took their cue from the noisy responses that theatre-goers made to each play.Footnote 31 Consequently, theatre-goers could indirectly determine which playwright should win.Footnote 32 The result, as far as Aristotle and Plato could see, was that playwrights had generally to confirm the perceptions of their predominantly non-elite audience.Footnote 33

The performance-dynamic that public speakers faced was similar. While litigants and politicians also belonged to the elite, their audiences were also predominantly non-elite.Footnote 34 Jurors, assembly-goers, and councillors were just as noisy as theatre-goers (e.g. Dem. 5.2; 10.44; 19.113, 122; 21.14; Lys. 12.73).Footnote 35 Yet there was also an important difference in what public speakers faced: through their votes their audiences directly determined who would win the case or the debate. Consequently, litigants and politicians were under still more pressure generally to say what their audiences wanted to hear (e.g. Arist. Rh. 1.9.30-1; 2.21.15-16; 2.22.3; Pl. Resp. 493d). In the light of this it is widely agreed that their speeches are reliable evidence for Athenian popular culture.Footnote 36 Therefore the depiction of athletics in popular literature puts beyond doubt that the dēmos held athletics in very high esteem. The preference that they showed for athletic contests in their state-sponsored festivals and the care that they took in managing sporting infrastructure were the results of their generally pro-sport outlook.

3. The Paradox of Elite Sport under the Democracy

For boys and young men, training in athletics only took place in the regular school-classes of the paidotribēs (‘athletics teacher’).Footnote 37 Isocrates explains how athletics teachers instruct their pupils in ‘the moves devised for competition’ (15.183). They train them in athletics, accustom them to toil, and compel them to combine each of the lessons that they have learnt (184-5). For Isocrates this training turns pupils into competent athletic competitors as long as they have enough natural talent. Athletics teachers were most frequently depicted in classical texts or on red-figure pots giving lessons in wrestling or in the other so-called ‘heavy’ events of boxing and the pankration (e.g. Ar. Eq. 490-2, 1238-9; Pl. Alc. I 107e-8e; Grg. 456d-e).Footnote 38 This is not unexpected, because many of these teachers owned their own palaistra or wrestling school (e.g. Aeschin. 1.10; Pl. Lysis 204a, 207d; Grg. 456c-e). What is unexpected is that we also find them training their students in the standard ‘track and field’ events of Greek athletics.Footnote 39 For example, in his Statesman Plato outlines how there are in Athens ‘very many’ supervised ‘training sessions for groups’ (294d-e; cf. Grg. 520c-d). In these school-classes, he writes, instructions are given and ponoi are expended not only for wrestling but also ‘for the sake of competition in the foot-race or some other event’.

For the entire classical period, excepting its last decade, Athenian democracy never subsidised nor administered education.Footnote 40 Consequently, each family made its own decisions about how long their boys would be at school and whether they would take each of the three traditional educational disciplines: athletics, music and letters.Footnote 41 Classical-period writers understood that the number of disciplines that a boy could pursue and the length of his schooling depended on his family’s financial resources.Footnote 42 Money determined not only whether a family could pay school-fees but also whether they could give their sons the skholē (‘leisure’) that they needed to pursue disciplines that were taught concurrently.Footnote 43 Classical-period writers make clear that most poor citizens were unable to afford many or, at times, any slaves (e.g. Ar. Eccl. 539; Arist. Pol. 1323a5-7; Hdt. 6.137; Lys. 24.6). Therefore, they typically needed their children to help them to run farms or businesses.Footnote 44 These writers were well aware of how this child-labour restricted the educational opportunities of Athenian boys (e.g. Isoc. 7.43-5; 14.48; Xen. Cyn. 8.3.37-9).

In Sport, Democracy and War in Classical Athens I collect the evidence that shows how this economic barrier generally prevented poor families from sending their sons to classes in music and athletics.Footnote 45 Instead, they sent them only to those of a letter teacher, because they believed that such classes were much more useful for moral and practical education.Footnote 46 Therefore it was only wealthy boys who received training in all of the three educational disciplines. As the dēmos clearly believed that education in athletics was indispensable for creditable sporting performance,Footnote 47 lower-class boys and young men would have been discouraged from entering sporting competitions in the first place. Therefore, in the most fully developed democracy of pre-modern times, athletes continued to be drawn predominantly or, possibly even, exclusively from the state’s upper class.Footnote 48

Poor families also faced a cultural barrier to their practising of athletics.Footnote 49 The Athenian state never set an income or property qualification for elite membership.Footnote 50 It simply lacked the means of independently assessing the personal wealth of its citizens.Footnote 51 Instead, being identified as wealthy was a matter of perception: a citizen belonged to this stratum if his family did what the wealthy normally did. Elite Athenians set themselves apart by paying the eisphora and performing expensive liturgies.Footnote 52 The eisphora was an intermittent tax on property to pay for war. The wealthy also pursued pastimes that were too expensive and time-consuming for the poor.Footnote 53 Athletics was perceived to be one such pastime.Footnote 54 Poor Athenians well understood that the wealthy faced heavy taxes and popular prejudices (see below). The small number of them that sat just below the elite may have been able to send their sons to the classes of an athletics teacher. But they probably decided not to do so, because they feared that others would incorrectly perceive them as wealthy (cf. Ar. Plut. 335-85).Footnote 55 In classical Athens families probably took up athletics only when they had already arrived at the top and wanted to be recognised publicly for their new membership of the elite.Footnote 56

There were, of course, other activities in classical Athens, such as the drinking party, pederastic homosexuality, political leadership and horse-manship, which were also exclusive preserves of the wealthy.Footnote 57 But these elite pursuits differed from athletics in one critical respect: they were regularly criticised in Old Comedy and the other genres of popular literature. Poor Athenians may have hoped, one day, to enjoy the lifestyle of the wealthy.Footnote 58 Yet they still had problems with this social class’s exclusive pursuits. Wealthy citizens were criticised for, among other things, their excessive enjoyment of two elements of the sumposion (‘drinking party’): alcohol and prostitutes.Footnote 59 In the eyes of the dēmos intoxicated symposiasts were prone to commit hubris or physical and verbal assault (e.g. Ar. Vesp. 1251-67, 1299-303). This crime was perceived to be typical of the wealthy.Footnote 60 Poor Athenians believed that expenditure on a sumposion came at the expense of a wealthy citizen’s ability to pay his taxes.Footnote 61

The dēmos of classical Athens apparently never ended up condemning pederasty outright.Footnote 62 Otherwise it is hard to explain why their politicians occasionally focussed on this pursuit for metaphors to describe political behaviours that were widely viewed as positive (e.g. Ar. Eq. 730-40; Thuc. 2.43.1). Nevertheless, the judgement that lower-class Athenians made of this activity was largely negative, because public speakers, along with the comic and the tragic poets, more often than not depicted boy-love as a source of anxiety, associated it with stereotypical vices of the upper class, and misrepresented the relationship of an erastēs (‘lover’) with his erōmenos (‘beloved’) as the same as the one between a customer and a male prostitute (e.g. Aeschin. 1.75-6; Ar. Av. 127-42; Plut. 149-59).Footnote 63 Therefore, it appears that athletics was not only highly valued and practically supported by Athenian democracy. It also escaped the otherwise universal criticism of elite pastimes in Athenian popular culture.Footnote 64 Why this is the case has long been an unanswered question.

4. Popular Ideas and Modern Theories

There have long been competing popular ideas about sport’s impact on war.Footnote 65 These ideas have led to a wide range of modern theories about this impact. The Duke of Wellington may have never said, as he is famously reported to have said, that the Battle of Waterloo was won on the playing-fields of Eton. But it is true that from the nineteenth century boys at English elite private schools were made to play organised sport for the sake of their morality.Footnote 66 Sports, such as rugby, cricket, and athletics, were widely thought to teach them the personal values that they needed to run businesses, to administer the British Empire, and to fight for king and country. Elite contemporaries in Europe and North America saw these school sports as a secret of Britain’s economic and imperial success. Consequently, they sought to establish amateur clubs for playing them in the hope of raising the fortunes of their own countries. These clubs quickly formed national organisations, out of which came international sporting bodies. A good example is the International Olympic Committee. It brought itself into existence in Paris in 1894.Footnote 67 As the leading proponent of its establishment, Pierre de Coubertin believed that revived Olympic Games would bring hostile countries together and encourage world peace.Footnote 68

Drawing explicitly on his own personal experience of an English elite private school, George Orwell came to different conclusions about sport’s impact in a newspaper column that was published in December 1945. The Soviet Union had recently sent over one of its premier soccer teams in order to play local English clubs, ostensibly for the sake of maintaining peaceful relations between the two wartime allies. But things, as they say, did not go according to plan: after controversies over team selection and refereeing, violent confrontations on the soccer field, and unsporting behaviour from the spectators, the Soviet team prematurely left England after only two games. For Orwell this debacle of the Moscow Dynamos was due to aggressive nationalism.Footnote 69 It vindicated the widely held scepticism about the supposed potential of sport to foster peaceful co-existence. ‘Even if’, he wrote, ‘one didn’t know from concrete examples (the 1936 Olympic Games, for instance) that international sporting contests lead to orgies of hatred, one could deduce it from the general principles.’ Orwell suggests that the linking of a sporting team to ‘some larger unit’ inevitably arouses ‘the most combative instincts’. At the international level, this encourages spectators, along with entire nations, to believe that ‘running, jumping and kicking a ball are tests of national virtue’, and to allow winning at any cost. As a result, Orwell concludes, ‘Serious sport has nothing to do with fair play. It is bound up with hatred, jealousy, boastfulness, disregard of all rules and sadistic pleasure in witnessing violence: in other words it is war minus the shooting.’

Needless to say, the IOC has never accepted any such criticism of its belief in sport’s encouraging of peace. De Coubertin’s successors have continued to believe that promoting world peace and reconciling warring nations are the chief purposes of the Olympics.Footnote 70 In doing so, however, they have never exactly explained how sport might achieve this peace-making end. By contrast, coherent ideas about sport’s impact on aggression have long had currency in the western world’s popular cultures. For example, coaches of American football believe that playing sport is a safe way to reduce aggression, reinforces socially constructive values, and hence reduces the likelihood of war.Footnote 71 Sports journalists cherish the idea that simply watching sport can reduce aggression.Footnote 72 Within the social sciences this popular view of sport as a safety valve for aggression has been integrated into different theories of catharsis, which ultimately go back to Aristotle and Freud. Possibly the most influential of them has been the drive-discharge model of catharsis that was invented by Konrad Lorenz.Footnote 73 As a pioneer of ethology, Lorenz argued that aggression is an innate drive that constantly accumulates as aggressive tension. For Lorenz this accumulation is similar to the operation of a steam boiler: aggressive tension builds up to a point where it must be released, either as an uncontrolled explosion or in a series of controlled discharges. Aggression can thus be safely released through socially acceptable activities such as sport.Footnote 74

This drive-discharge model of catharsis is still sometimes favourably drawn on by ancient sports historians,Footnote 75 but it is now generally discredited in the social sciences. Social psychologists have shown that what Lorenz’s model predicts about sport and aggression are entirely unfounded: far from an inverse relationship, sport manifestly increases aggressiveness. For example, an empirical study of students at Indiana University found that the level of unprovoked aggression among those playing American football was much higher than those who played no sport whatsoever.Footnote 76 Sport seems to have a similar impact on spectators. Interviews at an Army–Navy gridiron game in Philadelphia showed that male spectators were much more aggressive after the game, regardless of whether their team won or lost.Footnote 77 A similar study achieved the same results with Canadian spectators of ice hockey:Footnote 78 watching this sport not only significantly raised the general aggression of males and females, but also diminished their ability to interact cooperatively with others. These results, the study concludes, ‘call into question an assumption that sports events are necessarily rich social occasions where goodwill and warm interpersonal relations are fostered.’

Another discipline that has challenged the drive-discharge theory of catharsis is anthropology. Anthropologists assume that human aggression is not an innate quality. For them it is something that is learnt or, at least, entirely shaped by socio-cultural factors.Footnote 79 Some anthropologists also assume that common values inform disparate social activities and that large patterns of a culture tend to support each other. Claude Lévi-Strauss for one assumed that different structures of meaning in a culture tend to ‘overlap, intersect and reinforce one another.’Footnote 80 Finally, Günther Lüschen infers from anthropological case-studies that ‘sport is indeed an expression of that socio-cultural system in which it occurs.’Footnote 81 For Lüschen sport not only bears out a society’s values and norms. It also ‘socialises’ towards them and generally helps to articulate and to legitimise a society’s structures.Footnote 82 In a widely acclaimed study, Richard Sipes draws these assumptions together into a new theory about sport’s impact on war. He calls his theory the cultural-pattern model.Footnote 83 This model views the ‘intensity and configuration’ of aggression as ‘predominantly cultural characteristics’. It assumes ‘a strain toward consistency in each culture, with similar values and behaviour patterns, such as aggressiveness, tending to manifest in more than one area of culture’. Consequently, behaviours and cultural patterns ‘relative to war and warlike sports tend to overlap and support each other’s presence.’Footnote 84 Sipes’s model predicts a direct relationship between warlike sports and war: warlike sports are more likely to occur in warlike societies than peaceful ones.

5. The Cultural Overlap between Sport and War

The classical Athenians thought about sport and war with a common set of concepts. No ancient writer comments on this cultural overlap. However, Sipes’s cultural-pattern model suggests that this overlap could account for the paradox of elite sport under Athenian democracy. The most fundamental cultural overlap between the two was that battle and a sporting event were considered an agōn, that is, a contest decided by mutually agreed rules.Footnote 85 Today, when western democracies sometimes wage war contrary to international law, it can be easily forgotten that war was once regulated by widely discussed conventions and was once viewed as a legitimate way to settle disputes between states. Indeed, before the First World War, the waging of war resembled the playing of sport ‘in being to some extent artificial, regulated and ritualized’.Footnote 86 As ‘a test as rule-bound as a tournament’ the regular hoplite battle of classical Greece belonged to this tradition of ritualised war-making.Footnote 87

Typically a Greek state informed the other state of its intention to attack by sending it a herald (e.g. Hdt. 5.81.2; Thuc. 1.29.1, 85.2, 145.1; 2.12.1-2). Once its army had arrived in the khōra (‘countryside’) of its enemy, it customarily began to destroy crops, vines and fruit-bearing trees and to loot livestock and moveable property. Since it was not easy, however, for it to destroy much without a permanent base, this ravaging was largely symbolic.Footnote 88 The goal was instead to convince its opponents that they could only meet their duty to protect their khōra and this challenge to their aretē by sending out their own hoplites for a pitched battle (e.g. Thuc. 2.11.6-8; cf. [Xen.] Ath. Pol. 2.14).Footnote 89 By agreement, their hoplite armies met in the topography that was best suited for a pitched battle: an agricultural plain (e.g. Hdt. 7.9; Plut. Mor. 193e). After hours of hand-to-hand fighting, the decisive moment was the tropē (‘turning’), when the hoplites of one side broke and ran for their lives (e.g. Eur. Heracl. 841-2). The victors pursued them only for a short distance before turning to what they had to do on the battlefield. There they collected the bodies of their dead comrades, stripped the bodies of the enemy, and used some of the weapons and the armour that they had captured to set up a tropaion (‘trophy’) on the exact spot where the tropē had occurred (e.g. Aesch. Sept. 277, 954). When the defeated had time to re-group, they sent a herald to those controlling the battlefield in order to ask for a truce in order to retrieve their dead (e.g. Plut. Nic. 6.5-6; Thuc. 4.44, 97). Custom dictated that the victors could not honourably refuse this request. But asking for a truce was recognised as the decisive concession of defeat.Footnote 90

These conventions were respected by and large in most battles between phalanxes of hoplites.Footnote 91 Sometimes states decided not to do so, but this, clearly, was not without cost. These conventions were described as nomima or nomoi, that is, unwritten laws, which were ‘common’ and belonged to ‘the Greeks’ or ‘all of Greece’.Footnote 92 What is more, the conventions concerning the war dead, heralds and sanctuaries were thought to be backed by the gods.Footnote 93 Thus, while the obeying of such nomoi was voluntary, a state that failed to do so could normally condemned for law-breaking and even impiety (e.g. [Dem.] 12.3; Xen. Hell. 2.1.32). Individuals understandably were indignant at such contraventions and felt shame about doing so themselves.Footnote 94 Such law-breaking could even compromise the standing of a polis or the value of its military victory. As Greek states sensibly sought to avoid costly defeats, they regularly declined the challenges of armies that were larger than their own.Footnote 95 But their refusal to fight could easily be viewed as cowardice (e.g. Eur. Supp. 314-23). Likewise, using a stratagem other than a clash of phalanxes to win a land battle was a mixed blessing; for it allowed the defeated to call into question whether the agōn had adjudicated which side was courageous (e.g. Dem. 60.21; Thuc. 4.40.2).

For classical Athenians the agōnes of athletics and war also tested the moral fibre and the physical capacities of sportsmen and soldiers.Footnote 96 Both activities were thought to involve ponoi (‘toils’) and kindunoi (‘dangers’).Footnote 97 This popular view of athletics as dangerous was justified.Footnote 98 The hand- and arm-bindings of a Greek boxer were designed, like knuckledusters, to protect his hands and to injure his opponent. The winner of a boxing-bout emerged only when one boxer gave up or was bashed unconscious. In fact boxers were occasionally killed (e.g. Paus. 6.4.2; 8.40.3-5). The depictions of them on black- and red-figure pots frequently showed blood streaming from their faces.Footnote 99 The classical Athenians also believed that victory was due to the aretē of athletes and soldiers, and the kudos (‘divine aid’) of state-protecting gods and demi-gods.Footnote 100 By contrast, the defeat of a sportsman and a soldier or his refusal to compete in either agōn-type was attributed to his cowardice.Footnote 101

This cultural overlap between the agōnes of sport and battle raised the evaluation that lower-class Athenians had of athletics in two distinct ways. The first of them was closely tied to the standing of polemos (‘war’) in democratic Athens.Footnote 102 The classical Athenians intensified and transformed the waging of war, frequently attacked other democracies and killed tens of thousands of fellow Greeks.Footnote 103 By the time Athenian democracy was fully consolidated, polemos had come to dominate their politics and their personal lives. War consumed more money than all other public activities combined and was waged more frequently than ever before.Footnote 104 Lower-class citizens valued war more highly than any other secular activity. They saw themselves as more courageous on the battlefield than the rest of the Greeks, their motives for waging wars as always just, and the history of their state, from the age of the heroes, as a series of almost unbroken military victories.Footnote 105

In democratic Athens war was manifestly more prominent as a public activity than athletics. The classical Athenians, it is true, devoted a great deal of time and money to athletic agōnes. But they devoted considerably more to their armed forces and actual military campaigns. These campaigns typically involved many thousands of non-elite hoplites and sailors. But the conception of these two activities as comparable meant that athletics was closely associated with a part of Athenian democracy’s core business which was held in the highest possible esteem. The other exclusive pastimes of the wealthy lacked such a close connection with polemos. Therefore the cultural overlap between sport and battle gave athletics a real advantage over them in the evaluations that the dēmos regularly made of the elite’s lifestyle.

6. The Democratisation of War

Athens of the fifth century extended military service and traditional representations of it to every stratum of the lower class. Before Athenian democracy, war had largely been an elite pursuit.Footnote 106 Wars were waged infrequently and initiated privately by upper-class faction-leaders.Footnote 107 The hoplites of each war numbered in the hundreds rather than thousands and came predominantly from Athens’s upper class.Footnote 108 How they represented their soldiering can be seen on archaic black- and red-figure pottery. The military scenes on this ware have been carefully analysed by François Lissarrague. These painted scenes show how upper-class Athenians drew on the values and the ideas of epic poetry in order to glorify their own martial deeds.Footnote 109 Good examples are those scenes of a hoplite who had been killed in action or of his corpse being carried back to Athens. The heroes of Homer discuss how they will gain deathless renown and deathless memory of their youthfulness by bravely dying in battle (e.g. Il. 12.318-28; 22.71-3, 304-5; cf. 22.362-4). By this ‘beautiful death’ a hero gains a lasting confirmation of his aretē, which is reflected in the beauty of his corpse (e.g. 22.71-3, 369-71). Painters sometimes represent this aretē of the dead hoplite by painting in a lion.Footnote 110 This was one of the animals that Homer used as a metaphor of a hero’s aretē (e.g. Il. 5.782; Od. 8.161; 11.611). They evoked a hoplite’s attaining of the beautiful death of the heroes by giving him alone of the painted figures long hair, which is a characteristic of heroes in epic poetry (e.g. Il. 3.43; 2.443, 472; 18.359).

The creation of a publicly controlled army of hoplites as part of the reforms that Cleisthenes introduced at the sixth century’s close, the subsequent building of a massive Athenian public navy, and the introduction of pay for military service opened up the agōnes of war, like politics, to large numbers of non-elite citizens.Footnote 111 Because of the power that this social class wielded in Athenian democracy’s legal and political debates and dramatic agōnes, public speakers and playwrights found it necessary to represent the experiences of these new hoplites and sailors with the traditional moral explanation of nikē (‘victory’) in battle or the stadium (e.g. Aesch. Pers. 357-60, 386-401; Ar. Vesp. 684-5; Thuc. 2.86).Footnote 112

This ideological democratisation of war can be observed best in the public funeral for the war dead.Footnote 113 The ashes of these fallen Athenians were divided between ten cypress-caskets (one for each tribe) and publicly displayed in Athens’ civic centre (Thuc. 2.34). On the day of the funeral they were carried to the public cemetery where they were placed in ‘a beautiful and grandiose tomb’ (Pl. Menex. 234c). Such tombs were decorated with statues of lions and friezes of soldiers killing opponents that signified the aretē of those being buried.Footnote 114 They had epigrams explaining that the dead had put their aretē beyond doubt, leaving behind an eternal memory of their courage (e.g. IG i3 1179.3, 8-9; 1162.48). Finally, each tomb displayed a complete list of the year’s casualties, including Athenian sailors, which was arranged by tribes (IG i3 1142-93).Footnote 115 The funeral oration that was traditionally delivered after this burial always outlined how the war dead had met the most beautiful death: by falling in battle for the state they had gained deathless renown and deathless remembrance not only of their aretē but also of their youth.Footnote 116

This practical and ideological democratisation of war created a second way for the cultural overlap between sport and war to impact positively on the standing of sport. It meant that the Athenian dēmos not only closely associated athletics with the highly valued and prominent public activity of war. They also enjoyed a strong personal affinity with what athletes actually did. They could see how sportsmen displayed aretē and endured kindunoi and ponoi, just as they themselves did when they fought for Athens. Together these two ways fully account for why non-elite Athenians valued athletics and athletes as highly as they did, protected them from public criticism, and showed a strong preference for athletic agōnes over other contest-types in their program of festivals. The changes that non-elite Athenians made to the waging of war thus helped to support and to legitimise elite sport.

7. Epilogue: Ephebic Sportsmen

In the last decade of the classical period the Athenians took their first and only steps to facilitate the participation of the lower class in athletics. This occurred as part of a major military reform. In, probably, 336/5 Athens created a publicly funded program of full-time training for its future hoplites (Harp. s.v. Epicrates).Footnote 117 It succeeded in getting large numbers of non-elite Athenians to participate in this ephēbeia by providing each eighteen year-old recruit some of his hoplite equipment and, for his two years as an ephēbos, daily maintenance and accommodation ([Arist.] Ath. Pol. 42.2-4).Footnote 118 Athletics was compulsory in this cadetship’s first year. Under the supervision of a gumnasiarkhos each of the tribe’s ephebes trained for competing in the torch races of several Athenian festivals.Footnote 119 In addition, the democracy hired at its own expense not only didaskaloi (‘teachers’), who taught the ephebes different modes of land-based combat, but also two paidotribai (‘athletics teachers’), who, presumably, met with each tribal corps for regular athletics classes (3; IG ii2 585.9-11).

The dēmos had two good reasons for the inclusion of athletics in the ephēbeia. First, as sport, in their eyes, was a good way to gain euexia or physical fitness (e.g. Aeschin. 1.189; 3.255-6; Pl. Prt. 326b-c; Xen. Mem. 3.12.1-2), they no doubt decided that it could help the ephebes to meet the physical demands of their service as hoplites.Footnote 120 Already there existed a popular concern that elite hoplites could be unfit (e.g. Ar. Plut. 203, 558-61; Eur. frag. 54 Snell, Kannicht and Radt).Footnote 121 Yet at the time of this reform the dēmos was, apparently, worried about the euexia of their army more generally, because at the battle of Chaeronea, three years earlier, Philip the Second had apparently exploited the greater physical fitness of his professional soldiers to defeat them (Polyaen. 4.2.7). Second, the dēmos saw athletics as a good way to train the young in the virtues that they needed for military success. Manifestly the teaching of such morality was a major goal of the cadetship. The magistrate, for example, who managed each of its tribal corps was called a sōphronistēs, that is, a teacher of sōphrosunē. The decrees that were passed in honour of each tribe’s ephebes, when they had completed their second year, praised them for, among other virtues, their kosmiotēs (‘orderliness’), eutaxia (‘military discipline’), sōphrosunē and aretē.Footnote 122 Athletics, we have seen, was closely associated with sōphrosunē in the minds of poor Athenians, while athletic competitors and hoplites needed, it was believed, the same personal virtues for victory. By making their ephebes sportsmen the Athenians were socialising them into the values of war. Therefore they had widened participation in athletics because of its clear military advantages. What made it possible for them to take these unprecedented steps was the close relationship that they already perceived between sport and war.

In the short term the ephēbeia would have had limited impact on the social background of Athenian athletes. Since citizens only joined the cadetship after reaching adulthood, families who wished to see their boys compete in games still had to send them to, and to pay for, the classes of a paidotribēs. Poor Athenians, moreover, who, as part of the new ephēbeia, had attended such classes and competed as lampadēphoroi would have been hesitant about entering other athletic contests. Some would have felt that they had left it too late to become athletic competitors, while all knew that they would be up against those who had trained and competed as athletes throughout their childhoods. In the longer term this exposure of lower-class ephēboi to athletics could have broken the elite’s sporting monopoly. As long as it kept the participation-rate that it had in the later 330s and the 320s, the continuation of the ephēbeia beyond the classical period would have challenged the popular perception that athletics was an exclusive upper-class activity. This would have removed the cultural barrier that had long discouraged prosperous lower-class families from pursuing athletics. Yet this potential was never realised. The oligarchy that the Macedonians imposed on Athens in 322/1 abolished the ephēbeia.Footnote 123 When the democracy was restored in 307/6, it did begin training ephebes again. In its first several years this hellenistic ephēbeia attracted a reasonable, although smaller, number of non-elite recruits.Footnote 124 But in the course of its transformation during the third century the Athenian cadetship, while keeping athletics as a core activity, became a new exclusive pursuit of the Athenian elite.Footnote 125

Footnotes

*

This article was first delivered as the N. Moraïtis Annual Hellenic Lecture for 2014. I sincerely thank the University of Adelaide for the invitation to deliver this important public lecture. It was also read, in 2014, at the Institute for Advanced Study (Princeton), the University of Pennsylvania and the University of Toronto, in 2015, at the University of California (Berkeley) and, in 2016, at L’Université Toulouse – Jean Jaurès. For their helpful comments I am most grateful to those who heard it as well as Antichthon’s two referees. The article was revised for publication, when I was, in 2016, a research fellow at L’Institut d’études avancées de l’Université de Strasbourg. All the Greek translations are my own.

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103 Pritchard (n. 48) 5-7, 15-27.

104 In the fifth century they waged war in two out of every three years, with only ten year periods of peace (Pritchard [n. 48] 6).

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117 J. L. Friend, ‘The Athenian Ephebeia in the Lycurgan Period: 334/3-322/1 B.C.’, PhD thesis (The University of Texas at Austin [Austin] 2009) 66-74.

118 About one half of 18-year olds participated in the reformed ephēbeia (Pritchard [n. 48] 55).

119 E.g. O.W. Reinmuth, The Ephebic Inscriptions of the Fourth Century BC (Leiden 1971) nos. 6, 13; Friend (n. 117) 116-18; N. Sekunda, ‘IG II2 1250: A Decree concerning the Lampadephoroi of the Tribe Aiantis’, ZPE 83 (1990) 149-82, 152-3.

120 Petermandl (n. 37) 238.

121 Pritchard (n. 28) 26.

122 For their kosmiotēs and eutaxia, see Reinmuth (n. 119) no. 2, lines 27, 31, 38-40, 53, 58. For sōphrosunē and aretē, see no. 7, lines 7-8; no. 9, lines 3, 13-14, 30-1.

123 Tracy, S.V., Athenian Democracy in Transition: Attic Letter-Cutters of 340 to 290 BC (Berkeley, Los Angeles and London 1995) 17-18 Google Scholar, 23-9. For the abolition of the ephēbeia see e.g. Friend (n. 117) 179-81.

124 Reinmuth (n. 119) 101-15.

125 Golden, M., Greek Sport and Social Status (Austin 2008) 38 Google Scholar. For its transformation see Mikalson, J.D., Religion in Hellenistic Athens (Berkeley 1998) 172-185 Google Scholar, 243-9, 253-5. In the later third century the number of ephebes in each year ranged from 20 to 50 (S.V. Tracy, ‘The Panathenaic Festival and Games: An Epigraphic Inquiry’, Nikephoros 4 (1979) 133-53, 177-8), that is, between 4 and 10 per cent of the average number of ephebes per year in the later 330s and the 320s (Pritchard [n. 48] 55).