Hostname: page-component-7bb8b95d7b-w7rtg Total loading time: 0 Render date: 2024-09-20T01:18:15.598Z Has data issue: false hasContentIssue false

On Three Bronze Statuettes

Published online by Cambridge University Press:  18 October 2013

Extract

The importance of the bronze statuette as a document for the reconstruction of early sculptural types and of the different phases through which Greek art passed is apt to be overlooked, but there is reason to suppose that the main lines of an antique conception are more likely to be preserved in it than on a marble adaptation made after a lapse of several centuries. Many of the most celebrated Greek statues were made for temples. A large proportion of the bronzes were votive offerings, and roughly reproduce a local cultus-statue, where any serious variation from the original design would not be tolerated; the difference consisting in the suppression of detail, not in the addition of it, as in a marble copy. Further, the mechanical method by which a bronze is reproduced effectually prevents the intrusion of the worker's personality, so that a second century cast from a fifth century mould is practically contemporary with the original design.

Type
Research Article
Copyright
Copyright © The Council, British School at Athens 1897

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

page 149 note * Collection of Monsieur Michel Cambanis, Athens. Height 0,126 m. Patina green.

page 149 note † Olympia, vol. iv. pp. 18, 19,. Nos. 43, 43A, and 45, and Plate.

page 150 note * 50th Berlin Winckelmannsfest-Programm, p. 130.

page 150 note † Masterpieces of Greek Sculpture, p. 49.

page 150 note ‡ Catalogue of Peloponnesian Coins in the British Museum, Plate XXII., 7, p. no; fourth century.

page 150 note § Catalogue of Peloponnesian Coins in the British Museum, Pl. IV., 12, 14, 17.

page 150 note ║ Paus., VII., 23, 9; 24, 4.

page 151 note * Paus., IV. 33, 2.

page 151 note † Head: Guide to the Coins of the Ancients, Pl. VII. Nos. 12, 13; VIII. 1, 17.

page 151 note ‡ B. M. Cat., Coins of Caria, Pl. XXV. 8; X. 16.

page 152 note * Num. Chron., 1883, p. 168.

page 152 note † See Head, loc. cit. and Paus., vi. 2, 10.

page 152 note ‡ Head, Guide, lxvi. 16.

page 152 note § Diod. Sic., xi. 72, 2; see also Masterpieces, p. 218.

page 152 note ║ Paus., v. 24, 1.

page 152 note ¶ Paus., v. 24, 1; 26, 3.

page 152 note ** Misthos Collection, now in the Central Museum at Athens. Reg. No. 5,456; height 0·15 m.; patina, dark green.

page 153 note * Furtwängler, : Ath. Mitth., iii., 1878, Pl. 13, p. 287.Google Scholar

page 153 note † Legrand, , Bull. Córr. Hell., 1892, Pl. II. and XVII. p. 165Google Scholar; Reg. No. 243.

page 153 note ‡ Conze, in Jahrbuchs, 1887, Pl. IX., p. 133.Google Scholar

page 154 note * From Thrace; black patina; height o·14 m. Several similar statues in the Museum at Sofia. See example published by Salomon Reinach, M. in Rev. Arch., vol. xxxi., p. 230.Google Scholar