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The Master of the Stroganoff Nikoxenos Vase1

Published online by Cambridge University Press:  11 October 2013

J. D. Beazley
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Extract

The pictures on pp. 230, 231 (Figs. 1, 2) are taken from a red-figured amphora of Panathenaic shape in the Louvre (G 61). They are more curious than comely, but if devoid of merit they are not devoid of interest. Let us put them beside the pictures on p. 233 (Figs. 3, 4), which come from a vase in Count Stroganoff's collection. The lower part of the dress and the sandalled feet are almost line for line the same in both vases; the altars are the same except in one small detail: notice carefully the sleeve in Fig. 1, and compare it with the sleeve in Fig. 4. Other resemblances will strike the eye, but it will be enough to mention one: is there not something odd about the perpendicular fold-lines on the chiton in Fig. 4? in archaic drawing, perpendicular folds go right on until they meet a transverse line; but here they stop of their own accord at Athena's waist: now the grouped folds on the sleeve of Fig. 2 behave in the same obstinate way.

The Louvre vase G 61 has a pendant in the Louvre vase G 60, which is figured by Pottier in his Album, Pl. 95. The subjects are similar: on A of G 61, Athena bending at an altar, holding a spear and a flower; on A of G 62, Athena bending at an altar, holding a wreath and a spray of smilax; on B of G 61, a woman worshipper at an altar, holding a smilax spray; on B of G 60, a man worshipper at an altar, holding a phiale.

Type
Research Article
Information
Annual of the British School at Athens , Volume 19 , November 1913 , pp. 229 - 247
Copyright
Copyright © The Council, British School at Athens 1913

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References

page 240 note 1 None can be called later than two vases in the style of the Master of the Naples Amazonomachy krater, FR. Pll. 26–28: namely, a vase from South Russia in St. Petersburg (A. Athena and young warrior: B. man with twig and youth with oinochoe and kantharos), and another formerly in the Laborde, collection (Él. Cér. 2, Pl. 90–91).Google Scholar

page 240 note 2 Benndorf, Gr, u. sic. vb. Pl. 31. 2: Collignon-Couve, , Cat. Pl. 42Google Scholar, No. 1169.

page 240 note 3 For the cock-columns, see von Brauchitsch, , Die Panathenäischen Preisamphoren, pp. 106 ff.Google Scholar

page 240 note 4 Vatican, Mus. Greg. Pl. 58. 2Google Scholar (one of the earliest works by the Berlin master (see J.H.S. xxxi, p. 280); B.M. E 259; Bologna 154 (Zannoni, , Scavi della certosa, Pl. 83, 1–3Google Scholar).

page 241 note 1 v.p. 236: B.S.A. xviii, p. 225.

page 243 note 1 Vatican, , Mus. Greg. Pl. 12. 1Google Scholar: Rouen (Herakles and lion): Louvre G 52.

page 245 note 1 B.S.A. xviii, pp. 217 ff. To the 23 works there assigned to the Eucharides-master I am now able to add the following. 24: Kalpis with picture on the body, from South Russia, in St. Petersburg: Nike flying with tripod. 25: Kalpis with picture on the body, in Athens (1482: Heydemann, , Gr. vasenbilder, Pl. 7. 1Google Scholar): Cheiron. The following are both in the Acropolis collection at Athens: 26. G7, fragments of volute-krater with picture on the neck: symposion. 27. G 288, fragment, convex; youth, and arm with helmet.

page 247 note 1 FR. Pll. 33, 14 and 81: Pottier, , Album des Vases du Louvre, Pl. 92Google Scholar, No. G 44.