Hostname: page-component-586b7cd67f-2plfb Total loading time: 0 Render date: 2024-11-26T22:27:49.107Z Has data issue: false hasContentIssue false

Julie Verlaine, Les galeries d’art contemporain à Paris. Une histoire culturelle du marché de l’art, 1944-1970. Paris, Publications de la Sorbonne, 2012, 350 p.

Published online by Cambridge University Press:  20 January 2017

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Histoire culturelle (comptes rendus)
Copyright
Copyright © Les Éditions de l’EHESS 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 - Bowness, Alan, The Conditions of Success: How the Modern Artist Rises to Fame, New York, Thames andHudson, 1989 Google Scholar; Martin-Fugier, Anne, Galeristes: entretiens, Arles, Acte Sud, 2010.Google Scholar

2 - Moulin, Raymonde, Le marché de la peinture en France, Paris, Ed. de Minuit, [1967] 1989 Google Scholar; Guilbaut, Serge, Comment New York vola l’idée d’art moderne. Expressionnisme abstrait, liberté et guerre froide, trad. par C. Fraixe, Nimes, J. Chambon, [1983] 1988 Google Scholar.