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The genesis of The Battle of Maldon
Published online by Cambridge University Press: 26 September 2008
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The Battle of Maldon is usually taken by modern scholars to be a reasonably accurate account of the way in which the battle developed. While not everyone today would necessarily agree with Gordon's statement, ‘the account of the battle in the poem, in so far as its statements can be checked, is accurate in every particular’, it nevertheless remains indicative of a not uncommon attitude. This attitude has been accentuated both by such fantasies as that of the late Professor Tolkien, who invented a poetic aftermath for the poem, and by attempts to localize the site of the battle following the indications provided in the poem. Reviews of Byrhtnoth's generalship also presuppose that the poem presents a realistic account of the battle, so that tactical decision can be evaluated. Some voices have been raised against taking the poem's account too literally, and many commentators now tend to assume a general, if not a detailed, accuracy. Most would perhaps agree with Professor Cross when he writes ‘the poet has selected from, elaborated on, and presumably omitted from a knowledge (not necessarily detailed) of the real events to suit his own purpose as distinguished in the poem’. Even this presupposes that the author was using historical evidence as the basis of his poem.
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References
page 119 note 1 The Battle of Maldon, ed. Gordon, E. V. (London, 1937), p. 4Google Scholar. Repr. with supplement by D. G. Scragg (Manchester, 1976).
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page 119 note 5 Cross, J. E., ‘Mainly on Philology and the Interpretative Criticism of Maldon’,Old English Studies in honour of John C. Pope, ed. Burlin, Robert B. and Irving, Edward B. Jr. (Toronto, 1974), p. 240.Google Scholar
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page 124 note 1 Cf. Besinger, ‘Maldon and the Óláfsdrápa’, p. 31.
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page 125 note 1 Most recently expounded in Cross, ‘Philology and the Interpretative Criticism of Maldon’. In view of the later date now suggested for Maldon, which allows for greater Scandinavian influence in the poem, linguistic investigation of key words and phrases will have to pay more attention to Scandinavian parallels than hitherto.
page 125 note 2 Ibid. p. 243.
page 125 note 3 See Dronke, , Poetic Edda i, 14Google Scholar: ‘The invitation is no longer an invitation but a challenge. Now that danger is certain, Gunnarr cannot refuse. Their sister's warning, her officious fears, have forced them to accept.’.
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