This essay surveys recent trends in studies of Mesoamerican visual culture. Visual culture is defined here as more than an inclusive art history. I outline a tradition of approaches and methods in visual culture studies, arguing that this tradition pays particular attention to the reception and use of objects, as well as to their place in ancient economies. Several current trends in Mesoamerican studies, especially Postclassic period world-systems approaches and Classic period Maya courtly studies, have been particularly fecund strategies for visual culture studies. Other major trends in the field include studies of the symbolism of architecture and urban planning as well as performance studies. The insistence on economic contexts, the desire to capture indigenous visualities, and the need to situate the visual experience in larger cultural phenomena all bode well for future interdisciplinary work in visual cultural studies.