Published online by Cambridge University Press: 28 November 2016
The aim of this paper is to use the example of one type of pre-Hispanic Nahua song, the teponazcuicatl, or “log-drum song,” to present the problems that arise in the classification of preconquest Nahua verbal art identified by sixteenth century Europeans according to Western criteria of categorization as songs, poetry, or the verbal component of performances. A close examination of this genre, focused on its relationship with performance and, particularly, with pre-Hispanic theater, provides insights into how sixteenth century scribes' interpretation of Nahua oral discourse and the graphic arrangement of the alphabetically transcribed text influenced in the way Nahua culture and discourse are perceived.