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The Textual Illustration of the “Jester Scene” on the Sculptures of Alaca Höyük*
Published online by Cambridge University Press: 23 December 2013
Extract
The following article has to be conceived as one of my responses to a long standing and enigmatic question-mark which I have been carrying incessantly in mind since my first acquaintance with cuneiform writing and archaeology: Are there interactive implications between archaeological record and textual context in Hittite Anatolia at all? One might promptly and spontaneously expect that as a principle there must have been close relations between both sorts of data, since, first of all, they are mental and material products of the same people. Why are, then, the results gained from comparisons of archaeological and philological material disappearingly feeble considering that Hittitology is in a very lucky position in being supplied abundantly by both sorts of material? The temporary results gained from the comparative studies by other scholars as well as by myself were often disappointingly meagre. This is one of the reasons why I have frequently pointed out in a pessimistic way inconsistencies between archaeological objects and information supplied by the written sources in Hittite culture.
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References
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3 Ünal, A., “Hittite Architect and a Rope-Climbing Ritual,” Belleten 205 (1988) 1498 fGoogle Scholar.
4 KUB 54.1 obv. ii 24: nu-wa-mu-kán EN-YA ANA 2 GÍR pian paški[t], “My lord has stood/planted me in front of two knives/daggers.” See the translation by Archi, and Klengel, , AOF XII (1985), 59Google Scholar.
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13 With its various writings.
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16 Daddi, op. cit. 366, 367.
17 parašna-, šaša-, SILA4, UR.BAR.RA, ḫankuriya-, ŠAḪ.TUR, KBo 21.103 + KUB 32.82 rev.! 27 f. with dupl. KBo 21.90 obv. 51 f.; Bo 6594 iii 4.
18 Daddi, op. cit. p. 368.
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23 His paper read at the II Congresso Internazionale di Hittitologia, Pavia, June 29, 1993: “Zur Datierung des Sphinxtores in Alaca Höyük”, now appeared in “Beschreiben und Deuten in der Archäiologie des Alten Orients, Fs. R. Mayer-Opificius”, Altertumskunde des Vorderen Orients, Band IV, 1994, 213–26Google Scholar.
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37 I am presently preparing this 42 cm. long bronze sword or dirk, found at Pınarbaşı in the Province of Kastamonu, and preserved in the museum of Kastamonu for publication together with Nurettin Çakir, Meral Güngördü and Yavuz Ortaakarsu, cf. Ünal, , Fs N. Özgüç p. 727 with note 6Google Scholar. Since, as I have guessed first in my publications of the Boğazköy sword (see the note above) it now is almost certain that this type of swords represents Aegean LH IIIAI period swords (most recently Mellink, M., AJA 97, 1993, 112 fCrossRefGoogle Scholar. with references to the studies of N. K. Sandars and Y. Ersoy) their pommels can be reconstructed, in contrast to crescentic pommels of the Hittite swords, round, as we can see on a potsherd from Boğazköy representing a Mycenaean(?) warrior, Bittel, K., “Tonschale mit Ritzzeichnungen von Boğazköy,” Revue Archéologique (1976) 9–14Google Scholar.
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39 In his study of Höyük, Alaca orthostats: “La porte des sphinx à Euyuk,” MVAG 1908, 3, 13. Jahrgang, pl. 14 f. and fig. 20Google Scholar; this passage is cited also by Ünal, A., “Hittite Architect and a Rope-Climbing Ritual,” Belleten 205 (1988) 1499 fGoogle Scholar.
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44 In his letter of 8 November 1993.
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52 See above note 31.
53 Announced to be published in Eothen 2, cf. Daddi, , Hethitica 8 (1987) 361 n. 1Google Scholar.
54 The text parallels KUB 60.56; I am grateful to Dr. T. van den Hout for this kind information communicated in a letter; see now BiOr 51 (1994), 123Google Scholar.
55 Restoration is not sure; the majority of the texts attesting the “sweeping the ground” (daganzipuyš šanḫ-) by LÚ.MEŠ ŠU.I have the local particles -ašta or -šan.
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58 See the duplicate text KBo 27.39 r. col. 11.
59 Although it is questionable whether ašuša- really means “earring” or not, cf. HW2 s. v. ašuša-.
60 Akurgal, Kunst der Hethiter fig. 93.
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63 Reading suggested by Gurney.
64 Reading suggested by Gurney.
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67 LÚALAN.]ZU9GIŠi-la-aš (10) …]x ti-i-e-zi.
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69 aluzinnu, sum. u4-da-tuš, a-tar-dù.
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71 Ünal, , Belleten 205, p. 1498Google Scholar.
72 KBo 25.176 rev. 22.
73 Cf. Erkut, Sedat, “Hitit Çağının Önemli Kenti Arinna'nın Yeri,” Fs Alp (1992) 163Google Scholar.
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74 KUB 9.32 iii 5–11Google Scholar; cf. also the mention of GAL LÚ.MEŠḫapiya ŠA URUTawiniya, KBo 19.161 i 4.
75 The unique hunting scene on the newly published bowl from Kınık-Kastamonu represents so far the longest continuous representation in Hittite narrative art, A. Çınaroğlu, “Kastamonu Kökenli Bir Grup Hitit Gümüş(?) Eseri, , Müze/Museum 4 (1990–1991) 53–9Google Scholar; Çınaroğlu, K. Emre-A., “A Group of Metal Hittite Vessels from Kınık-Kastamonu”, Fs N. Özgüç (1993) 675 ff. and fig. 23Google Scholar.
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80 Cf. Baltacıoğlu, Hatçe, “Four Reliefs from Alacahöyük, Fs N. Özgüç (1993) 55 ffGoogle Scholar.
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83 Bittel, op. cit. fig. 214.
84 Bittel, op. cit. fig. 220.
85 Akurgal, op. cit. fig. 93; Bittel, op. cit. fig. 218.
86 Bittel, op. cit. fig. 212.
87 Bittel, op. cit. fig. 220 right side.
88 Bittel, op. cit. fig. 222.
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