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Horned Objects in Anatolia and the Near East and possible connexions with the Minoan “Horns of Consecration”

Published online by Cambridge University Press:  23 December 2013

Steven Diamant  and
Jeremy Rutter
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Extract

Numerous interpretations of the meaning, function, and derivation of the Minoan “horns of consecration” have been put forward since Evans discovered the first object of this kind in his excavations at Knossos. As yet, not one of the various theories proposed has been universally accepted. Consequently, the authors of this article would prefer not to be so presumptuous as to claim that they have indeed solved the problem of the usage and origins of the Minoan “horns”; on the other hand they believe that excavations in the past twenty years have strongly suggested that the Minoan “horns” have their origins in Anatolia and that the object's function, originally at least, was a pot-support in a hearth.

In Anatolia, horned objects which we consider served as precursors of the Minoan “horns of consecration” fall into three classes. Examples of the first of these classes have been found in EB II hearths at Beycesultan and at Tarsus. Survivals of this type of “horns” are also found in Late Bronze Age [hereafter LB] Kusura C and Beycesultan III–II. The second class consists of the pot-stands or andirons connected with Khirbet Kerak ware in the 'Amuq, Palestine, north-east Anatolia, and the Caucasus.

Type
Research Article
Information
Anatolian Studies , Volume 19 , December 1969 , pp. 147 - 177
Copyright
Copyright © The British Institute at Ankara 1969

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References

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15 S. Lloyd and J. Mellaart, op. cit. (supra n. 3), 29–53. Some of the “shrines” contained open hearths as well as the “altars,” while others did not.

16 Although Lloyd and Mellaart make no reference to the Tarsus hearths in their discussion of the Beycesultan “altars”, there can be no denying the close connection between the two.

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75 ibid., 166 and fig. 90 (left).

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77 ibid., 105 and fig. 62.

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109 We specially thank Miss Machteld Mellink and Dr. George Bass for advice and encouragement, Miss Sally Herndon for the drawings, and Miss Cynthia Jones for topography.