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Published online by Cambridge University Press: 11 December 2015
In the 40 years since he published Politics in Brazil, 1930-1964: An Experiment in Democracy, Thomas Skidmore has simultaneously been a leading U.S. scholar of Latin American history and a prominent public figure in Brazil. Balancing these roles, Skidmore has written and commented extensively on recent Brazilian political and economic history. But he is also the author of an influential intellectual history of racial thought in Brazil, Black into White: Race and Nationality in Brazilian Thought (1974). Black into White examines what Skidmore calls the “whitening thesis” by which Brazilian intellectuals of the late nineteenth and early twentieth centuries managed their racial and nationalist anxieties by interpreting miscegenation as a dynamic process that would dilute Brazil’s black population.
1 Modern Art Week, an event staged by avant-garde São Paulo artists, is seen as the divider of waters between Brazilian liberalism of the 19th century and twentieth century nationalism and modernism. Modern Art Week was a break from the Brazilian tradition of imitating older European aesthetics. Brazilian artists began to explore themes related to their country’s industrialization and urbanization, alongside expressions of folklore and regional culture.