¹ “El Barroco Musical Hispanoamericano,” Yearbook, I (1965), 55–93.

² Un Archivo Musical Americano (Buenos Aires: Editorial Universitaria, 1972), 18–49.

³ (Berkeley: University of California Press, 1968), 12–153. Hereafter cited as Stevenson, Aztec. Also consult his Music in Mexico (New York: Thomas J. Crowell, 1952), 1–50.

⁴ “An Introductory Survey of Secular Writings in the European Tradition of Colonial Middle America, 1503–1810,” Handbook of Middle American Indians, XIII (1973), 138–185.

⁵ “Religious Chroniclers and Historians: A Summary with Annotated Bibliography,” Handbook of Middle American Indians, XIII (1973), 42–137.

⁶ Historia de la Música en México (México: Secretaria de Educación Pública, 1934). Hereafter cited as Saldivar, Historia.

⁷ Morelia Colonial: El Archivo Musical del Colegio de Santa Rosa de Valladolid (Siglo XVIII) (Morelia: Universidad Michoacana de San Nicolás, 1939).

⁸ Música y Músicos de la Epoca Virreinal (México: Secretaría de Educación Pública, 1973).

⁹ Instrumental Precortesiano (México: Imprenta del Museo Nacional de Arquelogía, Historia, y Etnografía, 1933).

¹⁰ Dances of the Anahuac (Chicago: Aldine Publishing Co., 1964).

¹¹ “Sacred Vocal Polyphony in Early Colonial Mexico,” (Ph.D. dissertation, Harvard University, 1949).

¹² Cited in note 3.

¹³ (Washington: Library of Congress and Pan American Union, 1962).

¹⁴ Barwick, Steven, The Franco Codex (Carbondale: Southern Illinois University Press, 1964).Google Scholar

¹⁵ Brothers’, Lester, “The Hexachord Mass: 1600–1720,” (Ph.D. dissertation, University of California at Los Angeles, 1973),Google Scholar partially concerns López-Capillas’ Missa Super Aescalum.

¹⁶ Catalyne, Alice Ray, “The Double Choir Music of Juan de Padilla, Seventeenth-century composer in Mexico” (Ph.D. dissertation, Southern California University, 1953).Google Scholar

¹⁷ Heterofonía, X (December 1976-January, 1977) 15–24. Stevenson is mainly concerned with dissertations in the United States; yet, one should also consult Guzmán Bravo’s, José Antonio, master’s thesis: “La Música en México durante el Virreinato,” (Universidad Nacional Autónoma de México, 1974).Google Scholar Also of interest is Alcázar’s, Miguel, thesis entitled “La guitarra barroca: algunos de sus problemas y sus soluciones,” Conservatorio Nacional de Música, 1972).Google Scholar

¹⁸ Revista de Historia, LV (July-September 1977), 227–269.

¹⁹ Heterofonía, II (May 1970), 14–22; III (July 1970) 13–17; III (September 1970) 5–9.

²⁰ Revista Musical Chilena, XXI (July-September 1967) 8–25.

²¹ Fesperman, John T., “Spanish and American Organ Building in Mexico,” Newsletter of the American Musical lntrument Society, 5 (June-October 1976) 1–2, 4.Google Scholar For a review of the publications of the Smithsonian team see Stevenson, Robert, “Music,” in the Handbook of Latin American Studies, 38 (1976), entries 4138–4140.Google Scholar Also consult the communication of Stann, E. Jeffrey concerning this project which appeared in the “Interamerican Notes” of The Americas, 34 (April, 1978), 557.Google Scholar

²² El Archivo General de la Nación, Mexico (México: Secretaría de Gobernación, 1973).

²³ Saldívar, , Historia, 219–228.Google Scholar

²⁴ Archivum Historicum Societatis Iesu, XLVI(1977) 191–198.

²⁵ Tablatura Mexicana para Guitarra Barroca (Angel Records of Mexico—Number: SAM—35029).

²⁶ Stevenson, , Aztec, 173–174.Google Scholar

²⁷ Tumulo Imperial de k gran ciudad (Mexico: Antonio de Espinosa, 1560).

²⁸ Carta (Mexico: Antonio Ricardo, 1579).

²⁹ del Río, Ignacio, A Guide to the Archivo Franciscano of the National Library of Mexico (Mexico: UNAM—Instituto de Investigaciones Bibliográficas, and the Academy of American Franciscan History, 1975).Google Scholar

³⁰ Renaissance and Baroque Musical Sources of the Americas (Washington: General Secretariat of the Organization of American States, 1970), 146–165. Hereafter cited as Stevenson, Sources.

³¹ An Introduction to Certain Mexican Musical Archives (Detroit: Information Coordinators, 1969), 25. Hereafter cited as Spiess and Stanford, Introduction.

³² Ibid., 27–28.

³³ “Sixteenth and Seventeenth-Century Resources in Mexico (Part I),” Fontes Artis Musicete, I (May-August 1954), 69–78, and Part II (January-April 1955), 10–15. “Part I” listed the Puebla holdings and “Part II” itemized the contents of the so-called “Valdes Codex,” which contains two chanzonetas written in Náhuatl by the Aztec Indian “Don” Hernando Franco. “Part III” appeared in the same journal (XXV; April-June, 1978; 156–187) and is a catalog of Puebla Cathedral part books and sheet music to 1850. Every Puebla maestro is represented. Numerous Iberian personalities enter the catalog with works hitherto unknown, or known only through the famous 1649 Primeira parte do index da livraria de musica of John IV of Portugal. The Puebla holdings discussed in “Part I” are represented in greater detail in Stevenson, , Sources, 208–221.Google ScholarPubMed

³⁴ “Music of the Sixteenth to Eighteenth Centuries in the Cathedral of Puebla, Mexico,” Yearbook, 11(1968), 16–19.

³⁵ “El Archivo del Instituto Nacional de Antropología e Historia de México,” Heterofonía, X (March-April, 1978), 16–19.

³⁶ (Berkeley: University of California Press, 1974). See also: Seventeenth-Century Villancicos from a Puebla Convent Archive, transcribed with optional added parts for ministriles (Lima: Ediciones “CVLTVRA,” 1974).

³⁷ Spiess, and Stanford, , Introduction, 27–28.Google ScholarPubMed

³⁸ Krummel, Donald W., “The Newberry Library, Chicago,” Fontes Artis Musiate, 16 (July-December 1969), 119–123.Google Scholar Stevenson, Robert, “Mexican Colonial Music Manuscripts Abroad,” Notes of the Music Library Association, 29 (December 1972), 203–214.Google Scholar

Krummel, Donald W., “Un olvidado Manual Mexicano de Guitarra de 1776,” Heterofonía, 8 (September-October 1975), 14–16 and (November-December 1975), 5–9.Google Scholar

³⁹ Falconer, Joan O, “Music in the Lilly Library: Handel, Opera and Latin America,” Notes of the Music Library Association, 29 (September 1972), 5–9.Google Scholar Stevenson, , Sources, 55–64.Google ScholarPubMed Gerard Béhague gives an updating of Stevenson’s comments on the Lilly holdings in his review of the Stevenson, Sources, which appeared in Yearbook, 10 (1974), 211–213.Google Scholar

⁴⁰ Orrego-Salas, Juan A., ed., Music from Latin America Available at Indiana University: Scores, Tapes and Recordings, second edition (Bloomington: Indiana University, 1971).Google Scholar

⁴¹ Heterofonía, X (May-June, 1978), 24–26 and 43–45.

⁴² de Mattos, Cleofe Person, Catálogo temático das obras do Padre José Mauricio Nunes García (Rio de Janeiro: Ministerio de Educaçáo e Cultura, Conselho Federal de Cultura, 1970), 399.Google Scholar

⁴³ (Lisbon: Fundaçáo Calouste Gulbenkian, 1976).