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Inventory of the Archivo Musical of the Colegio de San Gregorio: 1838-1844

Published online by Cambridge University Press:  11 December 2015

Alfred E. Lemmon
Alfred E. Lemmon*
Affiliation:
Historic New Orleans Collection, New Orleans, Louisiana
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Abstract

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Type
Inter-American Notes
Information
The Americas , Volume 45 , Issue 2 , October 1988 , pp. 251 - 262
Copyright
Copyright © Academy of American Franciscan History 1988

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References

1 For a description of music holdings in general of this particular depository see Lemmon, Alfred E., ‘EI Archivo del Instituto Nacional de Antropologia e Historia de Mexico,” Heterofonia, 10/2, (March, 1978), pp. 16–19.Google Scholar

2 See Lemmon, Alfred E., “Jesuits and Music in Mexico,” Archivimi Historicum Societatis lesu, XLVI, (1977), 191–198.Google Scholar

3 Stevenson, Robert, Music in Aztec and Inca Territory, (Berkeley: University of California Press, 1968), pp. 165–166.Google Scholar

4 Stevenson, Robert, “Guatemala Cathedral to 1803,” Inter-American Music Review, 2/2 (Spring, 1980), pp. 30.Google Scholar

5 Ibid., pp.44–45.

6 Based on Gossett, Philip, “Rossini, Gioacchino” in The New Grove Encyclopedia et Music, 16, pp.226–251.Google Scholar

7 Based on “Donizetti, Gaetano” in The New Grove Encyclopedia of Music, IV, pp.553–570 by William Ashbrook and Julian Budden.

8 Based on Lippmann, Friedrich, “Bellini, Vincenzio” in The New Grove Encyclopedia of Music, II, pp. 446–455.Google Scholar

9 de Olavarria, Enrique y Ferrari, , Reseña Histórica del Teatro en México, 1538–1911. (Mexico: Editorial Porrúa, 1961), 1, p.231.Google Scholar Hereafter cited as Olavarria y Ferrari, Reseña.

10 Ibid., p. 233.

11 Ibid., p.400–401.

12 Ibid., p.440.

13 Ibid., p.287.

14 Ibid., p.288.

15 Ibid., p.320.

16 Ibid., p.283.

17 Ibid., p.291.

18 Ibid., p.318.

19 Ibid., p.206.

20 Ibid., p.217.

21 de la Maza, Luis Reyes, El Teatro en México durante la Independencia, (1810–1839), (Mexico: U.N.A.M., 1969), p. 139.Google Scholar Hereafter cited as de la Maza, Independencia.

22 Olavarria, y Ferrari, , Reseña, I, p.193.Google Scholar

23 Ibid., p.391.

24 Ibid., p.346.

25 Ibid., p.341.

26 Ibid., p.346.

27 See Longyear, R.M., “Auber, Daniel-Francois-Esprit,” The New Grove Encyclopedia of Music, 1, pp.680–682.Google Scholar

28 de la Maza, Luis Reyes, El Teatro en México en la Epoca de Santa Anna, (México: U.N.A.M., 1972), 1, p. 135 Google Scholar. Hereafter cited as de la Maza, Santa Anna.

29 Olavarria, y Ferrari, , Reseña, 1, p.414.Google Scholar

30 Ibid., p.440.

31 Ibid., p.363.

32 Ibid., p.410.

33 Ibid.

34 Ibid., p.320.

35 Ibid. p.407.

34 Ibid., p.315.

37 Ibid., pp.281, 282, 283, 291, 294.

38 Ibid., pp.291, 294, 297, 428.

39 Ibid., pp.226, 283, 287, 291.

40 Ibid., II, pp.735, 879.

41 Ibid., I, pp.283, 401.

42 Ibid., p. 182.

43 Ibid., p. 186.

44 de la Maza, Independencia and Santa Anna.

45 Historia de la Música: La Música en el Periódo Independiente, México: SEP-INBA, 1964).

46 Lemmon, Alfred E., “Un fondo musical en el extranjero,” Heterofonia, 10/3, (May-June, 1978), pp.24–26 and 43–45.Google Scholar

47 Lemmon, Alfred E., “Towards an Inventory of Music Theory Books in Colonial Mexico,” Anuario Musical, 33–35, (1980), p.139.Google Scholar

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