Hostname: page-component-586b7cd67f-r5fsc Total loading time: 0 Render date: 2024-11-25T10:33:34.740Z Has data issue: false hasContentIssue false
  • English
  • Français

The Influence of Adam Mickiewicz on the Ballades of Chopin

Published online by Cambridge University Press:  07 August 2018

Lubov Keefer
Lubov Keefer*
Affiliation:
Johns Hopkins University, Peabody Conservatory of Music, Baltimore
Get access Rights & Permissions [Opens in a new window]

Extract

Were one to confess total ignorance concerning an alleged tie between the Ballades of Chopin and the poetry of his friend-compatriot Adam Mickiewicz, he would be forever ostracized from among musical conoscenti. Only slightly less flagrant an offense would be the omission of Schumann or perhaps Liszt as reported go-betweens. But, while accord has been reached on the poems which provided Chopin with his musical imagery, even Chopin scholars (Karasowski, Ganche, Bidou, Binental, Hadden) would be at a loss to trace the list down to its origins. Yet, so meaty is the whole, so plausible on the surface, so brimming with national-patriotic-romantic potentialities, that each and every Chopinite has succumbed to its lure, varying solely the stress on this or that facet and the reserve brought to bear on it.

Type
Articles
Information
American Slavic and East European Review , Volume 5 , Issue 1-2 , May 1946 , pp. 38 - 50
Copyright
Copyright © Association for Slavic, East European, and Eurasian Studies 1946

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Ganche, E.-F., Chopin, sa vie et son oeuvre (Paris, 1913), p. 325 Google Scholar.

2 Paris Editions, 1934.

3 Ganche, , op. cit., p. 45.Google Scholar

4 Chap. II.

5 I Lituani (1874).

6 Ganche, p. 168.

7 Gazette Musicale, Feb. 1, 1842.

8 F. Chopin as a Man and Musician (London; Novello, 1888), II, 2.

9 Chopin (N.Y.: Novello, 1943), p. 104.

10 Chopin, , His Life, Letters and Works (London; 1879), pp. 104–111 Google Scholar.

11 Mickiewicz, Ladislaus, In Memoriam, pp. 108 and 138.Google Scholar

12 To Liszt, Jan. 6, 1839.

13 Histoire de Ma Vie.

14 Chopin (N.Y.: Scribner, 1924), p. 10.

15 To d'Agoult, July, 1836: “Franz is the only artist in the world who knows how to impart life to the piano”; Schumann, R., Music and Musicians: Karasowsky: Chopin, pp. 103–107.Google Scholar

16 Chopin (Paris; Escudier, 1852), p. 108.

17 Berlioz, Liszt, Chopin (London, 1874), p. 23.

18 “Not too inhuman”; to Novakowsky, Leipzig, Oct. 18, 1836.

19 To Lipinski, Nov. 1, 1836 and Dec. 11, 1837.

20 Music and Musicians, 1834.

21 M.a M., 1836.

22 M.a M., 1841.

23 Leipzig, Jan. 11, 1832.

24 Allgemeine Musikalische Zeitung, Dec. 7, 1831.

25 Finding fault with Clara for playing a man's diet.

26 A. M. Z., 1832.

27 July 2, Aug. 18, 1834.

28 A. M. Z., 1841, pp. 83, 92, 96.

29 July 10, 1834.

30 Berlioz copies it with Estelle.

31 To H. Voigt, to his mother, March 33, July 2, 1834, 1836, p. 212.

32 October 6, 1835.

33 To Moscheles, March 8, 1836.

34 To Burmeister — Lysch, Sept. 10, 1837.

35 To brother Eduard.

36 To Nauenburg.

37 To Dorn, Sept. 14.

38 Originally accepted as Op. 38, not written before 1840.

39 Sept. 13, 1836.

40 It was printed a year later.

41 Leipzig, 1837.

42 Jeanqui-rit in Augsburg — S. Heller, ill at the time, not Jean qui rit or Jean qui pleurt; Knapp-Banck; Serpentin — Davidite; Beda — Si, mi, re, la.

43 A. M. Z., 1842.

44 To Keferstein, Jan. 31, 1840.

45 To Reinhold, Feb. 17, 1840.

46 To de Sire and Zuccalmoglio, Jan. 13, 1838.

47 Etudes, an abortive scheme, to Mangold, Jan. 7, 1838, and Mozart-Album, to Pott, Aug. 30, 1839.

48 Hiller's Memorial Poem, Dresden, Dec. 3, 1849.

49 Ehlert Album, to Klitsch, Dec. 19, 1849.

50 Clara's Rotterdam Concerts, to Smalt, Amsterdam, Dec. 18, 1853, and Endemin, Sept. 14, 1854.

50a Prohibition of the Frauenkirche Concert.

51 A. M. Z., 1835.

52 Gaz. Mus., June 29, 1854.

53 Opienski, H., “Les premiers opéras polonais dans leurs rapports avec Chopin,” Rev. de Mus., May, 1929, pp. 92–98.Google Scholar

54 Chopin's pupil Mathias, the painter Kwiatkowski, and Count de Porthuis, Louis Phillipe's aide-de-camp.

55 Ganche, , op. cit., p. 77.Google Scholar

56 Diary of Madame Olivier, March 8 and 11, 1842.

57 Chuiko, , “Mickiewicz v Russkom Obshchestve,” Severnyi Vestnik (1838), p. 33.Google Scholar

58 Lenz, , Chopin (Schirmer, 1899), p. 54.Google Scholar

59 Léouvé, E., Soixante Ans de Souvenirs, p. 328.Google Scholar

60 Hadley, A., Some Notes on Chopin (1937), p. 48.Google Scholar

61 Boy-Zelinski, T., International Liter. (Moscow, 1941).Google Scholar

62 Dambrowski's and Slowacki's visits. Sand to M. Marliani, Jan. 22, 1839.

63 Ganche, , Voyages avec Chopin (Paris, 1926), p. 37.Google Scholar

63 To Odynic, Aug. 16, 1837.

64 Mickiewicz had married the daughter of the pianist Szimanowska, and could never be without a piano.

65 Hist de ma Vie, VIII, 99.

66 Nohant, March 18, Apr. 5, 17, 1837.

67 June, 3, 1847.

68 Karenin, V., Adam Mickiewicz i. G. Sand, Vestnik Evropy (1907), p. 195.Google Scholar

69 Beer, , Mickiewicz und seine Weltanschauung (Stuttgart, 1898), p. 390.Google Scholar

70 Revue des deux Mondes, 1841, writ. 1839.

71 Many doubt even these.

72 Wiener, L., Sketches of G. Sand (Chicago, 1892), p. 88.Google Scholar

73 To Fontana, Majorca, April 10, 1839, with 2 Ballades finished. He read it to Sand, who found it “charming.”

74 To Hadden, London, 1934, p. 149. Also Mathias, also to Grzymala, March 17, 1839.

75 M. a M., II, 524.

76 To Fontana, March 6, 1849.

77 Histoire de ma Vie, VIII, 99.

78 Karasowski, p. 343 and Bronarski, L., “Stosunek Schumanna,” Kwartalnyk musyczny, Z. 3, pp. 260–271, 396-412.Google Scholar