Attentive observers of conditions in Italy are well aware that Fascism is an exceedingly complicated phenomenon; that what seems to be simply a dictatorship of the upper classes in reality presents many surprising and apparently contradictory features. Fascism, indeed, has been likened to a great river into which numerous tributaries have poured their waters. Among these tributaries are such movements as Nationalism, Futurism, and Syndicalism. Besides, Fascism is more than a practical experiment in government. It has developed a theory and a philosophy, and, one may even add, an art, a mysticism, and a religion. “Fascism,” declares Mussolini, “has a doctrine, or, if you will, a philosophy with regard to all the questions which beset the human mind today.” And again he remarks, “We play upon every chord of the lyre, from violence to religion, from art to politics.”

The stages in the outward history of Fascism need only be mentioned. The movement had humble and, its enemies say, even sordid beginnings. The first Fascio di Combattimento was formed in March, 1919, by Mussolini and other derelicts of the war. This organization, swollen by all sorts of unexpected accretions, was transformed into the National Fascist party in November, 1921. In October, 1922, occurred the sensational march on Rome, which placed the party exultantly, but none too securely, in the seat of power. The murder of Matteotti in May, 1924, precipitated a dangerous crisis in which Fascism appeared to be momentarily on the defensive, but from which it triumphantly emerged as complete master of the situation. Since then it has effectually quelled all opposition and has proceeded to the realization of its constructive program, of which the great Labor Charter of April, 1927, is thus far the most impressive item.