At a Literary tea given by Robert Nathan's fictional firm of Laocoön Ltd., the company's imprint was thought by some to represent publishers struggling with a group of authors in the form of serpents. After a decade's editing of archaeological manuscripts, I have learned that this is what editors or publishers might think, but I also know how authors would interpret it. Thought of a blue pencil rises to apprehension as they submit a brainchild to the far from indulgent eye of a publisher-stepparent. But no manuscript is ever perfect, and by the constructive criticism of troublesome editors it is rescued from slips that escape the busy archaeologist.