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“Monstrous Vandalism”: Capitalism and Philistinism in the Works of Samuel Laing (1780–1868)*
Published online by Cambridge University Press: 11 July 2014
Extract
Is free market capitalism intrinsically inimical to culture and learning? The question probably would not have occurred to many people twenty years ago. That it can be seriously put today is a sign of the times. Two things have happened to Britain over the past decade. One is the political revival of the idea of the “market,” under the aegis of probably the most zealous capitalist ideologues ever to take power in what had generally been a fairly pragmatic political culture before then. The second is a scries of damaging cuts, or what are claimed to be damaging cuts, in the public funding of higher education and the arts. Some of the victims of the latter have perceived behind them a positive antipathy on the part of the zealots to what they are doing and what they hold dear. If this is so, then where does it derive from? The personal idiosyncrasies of the zealots? Simple economic necessity? A genuine belief in alternative and perhaps better ways of supporting learning and culture? Or is free market capitalism fundamentally philistine?
The question has come up before. In the nineteenth century people also remarked on the cultural barrenness of their time. There can be no doubt that it was pretty barren in certain areas. Compared with the European continent, and with her own past, Britain was something of a cultural desert during most of the century, and particularly between the 1840s and the 1880s, which are usually regarded as the high plateau of her free market capitalism.
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- Capitalism and Culture in Victorian Britain
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- Copyright © North American Conference on British Studies 1991
Footnotes
This article is a version of a paper read to history research seminars at the Australian National University, Canberra, and Melbourne University, amended in the light of the stimulating and helpful discussions that ensued there.
References
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50 Samuel Laing to William G. Watt, 5 December 1823: Orkney Archives, D1/15/6; reproduced by kind permission of the Orkney Library.
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58 The Heimskringla; or, Chronicle of the Kings of Norway, translated from the Icelandic of Snorro Sturleson, with a Preliminary Dissertation, by Laing, Samuel, 3 vols. (London, 1844)Google Scholar. It begins, for example, with a description of early mediaeval Russia, or “the Great Swithiod,” peopled with giants, dwarfs, “blue men” and “many kinds of strange creatures,” which reads very differently from Laing's own travel books. Laing's translation of the Heimskringla was republished in the “Everyman” series in 1930. His Preface comes at the beginning of Part II of that edition, pp. 1–2; the description of ’the Great Swithiod” is on p. 7.
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