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Dana E. Katz. The Jew in the Art of the Italian Renaissance. Philadelphia: University of Pennsylvania Press, 2008. xi, 228 pp.

Published online by Cambridge University Press:  17 December 2010

Vivian B. Mann
Vivian B. Mann
Affiliation:
Jewish Theological Seminary, New York, New York
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Type
Book Reviews: Medieval Jewish Culture
Information
AJS Review , Volume 34 , Issue 2 , November 2010 , pp. 433 - 435
Copyright
Copyright © Association for Jewish Studies 2010

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References

1. For an analysis of the early textual sources on the Parisian Host Libel, see Lavin, Marilyn Aronberg, “The Altar of Corpus Domini in Urbino: Paolo Uccello, Joos Van Ghent, Piero della Francesca,” Art Bulletin 49, no. 1(1967): 1–6CrossRefGoogle Scholar; for the Sijena fresco see Mann, Vivian B. and Glick, Thomas F, Uneasy Communion: Jews, Christians, and the Altarpieces of Medieval Spain (New York: Museum of Biblical Art, 2010)Google Scholar, fig. 33.

2. Katz, The Jew in the Art of the Renaissance, 123 and 171 n. 14.

3. For example, Meyerson, Mark D., A Jewish Renaissance in Fifteenth-Century Spain (Princeton, NJ: Princeton University Press, 2004)Google Scholar.

4. Cf., e.g., p. 28 with chap. 5.

5. Bonfil, Robert, Jewish Life in Renaissance Italy (Berkeley: University of California Press, 1994), 252Google Scholar.