Hostname: page-component-745bb68f8f-f46jp Total loading time: 0 Render date: 2025-01-12T21:37:45.081Z Has data issue: false hasContentIssue false
  • English
  • Français

Dana E. Katz. The Jew in the Art of the Italian Renaissance. Philadelphia: University of Pennsylvania Press, 2008. xi, 228 pp.

Published online by Cambridge University Press:  17 December 2010

Vivian B. Mann
Vivian B. Mann
Affiliation:
Jewish Theological Seminary, New York, New York
Get access

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews: Medieval Jewish Culture
Information
AJS Review , Volume 34 , Issue 2 , November 2010 , pp. 433 - 435
Copyright
Copyright © Association for Jewish Studies 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. For an analysis of the early textual sources on the Parisian Host Libel, see Lavin, Marilyn Aronberg, “The Altar of Corpus Domini in Urbino: Paolo Uccello, Joos Van Ghent, Piero della Francesca,” Art Bulletin 49, no. 1(1967): 1–6CrossRefGoogle Scholar; for the Sijena fresco see Mann, Vivian B. and Glick, Thomas F, Uneasy Communion: Jews, Christians, and the Altarpieces of Medieval Spain (New York: Museum of Biblical Art, 2010)Google Scholar, fig. 33.

2. Katz, The Jew in the Art of the Renaissance, 123 and 171 n. 14.

3. For example, Meyerson, Mark D., A Jewish Renaissance in Fifteenth-Century Spain (Princeton, NJ: Princeton University Press, 2004)Google Scholar.

4. Cf., e.g., p. 28 with chap. 5.

5. Bonfil, Robert, Jewish Life in Renaissance Italy (Berkeley: University of California Press, 1994), 252Google Scholar.