Each of the three childhood stories, S. Y. Agnon's “Bayaעar ūvaעir” [In the Forest and in the Town] (1939), Amos Oz's Panter bamartef [Panther in the Basement] (1995), and Aharon Appelfeld's Layish (1994), offers a child protagonist who inhabits two parallel landscapes: his own environment and the biblical universe. These child protagonists relive a biblical experience, but the degree to which the respective writers make them participants in evoking the biblical sphere is different in each story. These stories exhibit distinctly different paradigms of the art of embedding the biblical text in a modern, secular narrative and of the status it is given within it. In Agnon's tale, the scriptural intertext is inseparable from a dense network of Judaic master texts, discoursing with and commenting on each other. In Oz's novella, the biblical arena is the ancient parallel of present-day reality, the admired yet challenged national epic that mirrors and informs current political and territorial aspirations. In Appelfeld's novella, the biblical pattern is a remote, foreboding myth, not fully recognized by the actors in the modern tale yet powerful enough to hover over them and determine their destiny.