Hostname: page-component-cd9895bd7-fscjk Total loading time: 0 Render date: 2024-12-22T11:52:05.223Z Has data issue: false hasContentIssue false

The Sounds of West Africa

Published online by Cambridge University Press:  23 May 2014

George Worlasi Kwasi Dor*
Affiliation:
University of Mississippi, Oxford, Mississippi

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Essays
Copyright
Copyright © African Studies Association 2003

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adjaye, Joseph, and Andrews, Adrienne R., eds. 1997. Language, Rhythm, and Sound: Black Popular Cultures into the Twenty-First Century. Pittsburgh: University of Pittsburgh Press.Google Scholar
Agawu, Kofi. 2003. Representing African Music: Postcolonial Notes, Queries, Positions. New York: Routledge.Google Scholar
Ben-Amos, Paula Girshick. 1999. Art, Innovation and Politics in Eighteenth-Century Benin. Bloomington: Indiana University Press.Google Scholar
Charry, Eric. 2000. Mande Music: Traditional and Modern Music of the Maninka and Mandinka of Western Africa. Chicago: University of Chicago Press.Google Scholar
Clifford, James. 1988. “On Ethnographic Authority.” In The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge: Harvard University Press.Google Scholar
DeMott, Barbara. 1982. Dogon Masks: A Structural Study of Form and Meaning. Ann Arbor, Mich.: UMI Research Press.Google Scholar
Giddens, Anthony. 1981. The Contemporary Critique of Historical Materialism. Berkeley: University of California Press.Google Scholar
Giddens, Anthony. 1984. The Constitution of Society. Cambridge: Polity Press.Google Scholar
Griaule, Marcel. 1965. Conversations with Ogotemmêli: An Introduction to Dogon Religious Ideas. London: Oxford University Press.Google Scholar
Knight, Roderic. 1984. “Music in Africa: The Manding Contexts.” In Performance Practice: Ethnomusicological Perspectives, edited by Béhague, Gerard, 5390. Westport, Conn.: Greenwood Press.Google Scholar
Koetting, James. 1984. “Hocket Concept and Structure in Kasena Flute Ensemble Music.” In Selected Reports in Ethnomusicobgy 5: Studies in African Music, edited by Nketia, J. H. Kwabena and DjeDje, Jacqueline Cogdell. Los Angeles: University of California, Institute of Ethnomusicology.Google Scholar
Kubik, Gerhard. 1999. African and the Blues. Jackson: University Press of Mississippi.Google Scholar
Okpewho, Isidore. 1998. Once Upon A Kingdom: Myth, Hegemony, and Identity. Bloomington: Indiana University Press.Google Scholar
Oliver, Paul. 1970. Savannah Syncopators: African Retention in the Blues. New York: Stein and Day.Google Scholar
Rice, Timothy. 1987. May It Feel Your Soul: Experiencing Bulgarian Music. Chicago: University of Chicago Press.Google Scholar
Waterman, Christopher. 1990. Jùjú: A Social History and Ethnography of an African Popular Music. Chicago: University of Chicago Press.Google Scholar
Waterman, Christopher. 1993. “Jújù History: Toward a Theory of Sociomusical Practice.” In Ethnomusicology and Modern Music History, edited by Blum, Stephen, Bohlman, Philip, and Neuman, Daniel, 4967. Urbana: University of Illinois Press.Google Scholar