Popular arts are an effervescent and protean aspect of contemporary culture in Africa. Karin Barber's overview captures the styles, flavor, and general sociological significance of these art forms for both artists and consumers. Noting a lack of theoretical synthesis in the field, the author begins with a critique of the tripartite “European model” of folk, popular, and elite art. She aptly remarks that this model obscures analysis by relegating popular art in Africa to an “undefined and shapeless space” between folk and elite art. Moreover, Barber is concerned with the role that the popular arts play as expressive acts that reflect particular social, political, and economic relationships.