Hostname: page-component-586b7cd67f-l7hp2 Total loading time: 0 Render date: 2024-11-23T14:10:05.218Z Has data issue: false hasContentIssue false
  • English
  • Français

DOCUMENTARY AT THE INTERSECTION OF TESTIMONY AND HISTORY - Connie Field, director. Have You Heard from Johannesburg.2010. 7 parts, 8.5 hours. English. U.S./South Africa: PBS. DVD: Clarity Films.

Published online by Cambridge University Press:  01 September 2015

R. Joseph Parrott
R. Joseph Parrott*
Affiliation:
University of Texas Austin, [email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
FILM REVIEW ESSAYS
Information
African Studies Review , Volume 58 , Issue 2 , September 2015 , pp. 263 - 270
Copyright
Copyright © African Studies Association 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abrash, Barbara. 2010. “Pull Focus: Connie Field.” Washington, D.C.: Center for Media and Social Impact, American University. www.cmsimpact.org.Google Scholar
Barnes, Teresa. 2014. “‘Not until Zimbabwe Is Free Can We Stop to Think about It’: The Zimbabwe African National Union and Radical Women’s Health Activists in the United States, 1979.” Radical History Review 119 (Spring): 53‒71.CrossRefGoogle Scholar
Corner, John. 1996. The Art of Record: A Critical Introduction to Documentary. New York: Manchester University Press.Google Scholar
Field, Connie, director. 2010. Have You Heard from Johannesburg. Clarity Films.Google Scholar
Fieldhouse, Roger. 2005. Anti-Apartheid: A History of the Movement in Britain. London: Merlin Press.Google Scholar
Nesbitt, Francis Njubi. 2004. Race For Sanctions: African Americans against Apartheid, 1946‒1994. Bloomington: Indiana University Press.Google Scholar
Nichols, Bill. 1988. “The Voice of the Documentary.” In New Challenges for Documentary, edited by Rosenthal, Alan, 48‒63. Berkeley: University of California Press.Google Scholar
Parrott, R. Joseph. 2015. “A Luta Continua: Radical Filmmaking, Pan-African Liberation, and Communal Empowerment.” Race & Class 57 (1): 20‒38.CrossRefGoogle Scholar
Sapire, Hilary. 2009. “Liberation Movements, Exile, and International Solidarity: An Introduction.” Journal of Southern African Studies 35 (2): 271‒86.CrossRefGoogle Scholar
Sellström, Tor. 1999. Sweden and National Liberation in Southern Africa. Volume 1. Uppsala: Nordic Africa Institute.Google Scholar
Sellström, Tor. 2002. Sweden and National Liberation in Southern Africa. Volume 2. Uppsala: Nordic Africa Institute.Google Scholar
Skinner, Rob. 2010. The Foundations of Anti-Apartheid: Liberal Humanitarians and Transnational Activists in Britain and the United States, c.1919‒64. New York: Palgrave Macmillan.CrossRefGoogle Scholar
South African Democracy Education Trust [SADET], ed. 2008. The Road to Democracy in South Africa. Volume 3: International Solidarity. Pretoria: UNISA Press.Google Scholar
Svetvilas, Chuleen. 2010. “'Have You Heard From Johannesburg': An Epic Song of Freedom.” Documentary Magazine (April). www.documentary.org.Google Scholar
Thörn, Håkan. 2009. Anti-Apartheid and the Emergence of a Global Civil Society. London: Palgrave-Macmillan.CrossRefGoogle Scholar