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Diversity Within Yoruba-Language Video Films

Published online by Cambridge University Press:  18 October 2013

Connor Ryan
Connor Ryan*
Affiliation:
Michigan State University, East Lansing, Michigan, [email protected]
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Abstract

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Type
Film Review Essay
Information
African Studies Review , Volume 55 , Issue 2 , September 2012 , pp. 180 - 185
Copyright
Copyright © African Studies Association 2012

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References

Haynes, Jonathan, ed. 2000. Nigerian Video Films: Revised and Expanded Edition. Athens: Ohio Center for International Studies.Google Scholar
Haynes, Jonathan, ed. 2007. “Nollywood in Lagos, Lagos in Nollywood Films.” Africa Today 54.2: 130–50.Google Scholar
Haynes, Jonathan, ed. 2010. “What Is to Be Done? Film Studies and Nigerian and Ghanaian Videos.” In Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution, edited by Saul, Mahir and Austen, Ralph A., 11–25. Athens: Ohio University Press.Google Scholar
Ogundele, Wole. 2000. “From Folk Opera to Soap Opera: Improvisations and Transformations in Yoruba Popular Theater.” In Nigerian Video Films, edited by Haynes, Jonathan, 89–130. Athens: Ohio Center for International Studies.Google Scholar
Ogunleye, Foluke, ed. 2003. African Video Film Today. Manzini, Swaziland: Academic Publishers.Google Scholar
Saul, Mahir, and Austen, Ralph A.. 2010. Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution. Athens: Ohio University Press.Google Scholar