We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
References
Haynes, Jonathan, ed. 2000. Nigerian Video Films: Revised and Expanded Edition. Athens: Ohio Center for International Studies.Google Scholar
Haynes, Jonathan, ed. 2007. “Nollywood in Lagos, Lagos in Nollywood Films.” Africa Today54.2: 130–50.Google Scholar
Haynes, Jonathan, ed. 2010. “What Is to Be Done? Film Studies and Nigerian and Ghanaian Videos.” In Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution, edited by Saul, Mahir and Austen, Ralph A., 11–25.Athens: Ohio University Press.Google Scholar
Ogundele, Wole. 2000. “From Folk Opera to Soap Opera: Improvisations and Transformations in Yoruba Popular Theater.” In Nigerian Video Films, edited by Haynes, Jonathan, 89–130. Athens: Ohio Center for International Studies.Google Scholar
Ogunleye, Foluke, ed. 2003. African Video Film Today. Manzini, Swaziland: Academic Publishers.Google Scholar
Saul, Mahir, and Austen, Ralph A.. 2010. Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution. Athens: Ohio University Press.Google Scholar