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Against the “One Cinema System” Idrissa Ouedraogo and the Invention of Contemporary African Films

Published online by Cambridge University Press:  29 August 2018

Alexie Tcheuyap
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Abstract

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Type
Forum in Celebration of Idrissa Ouedraogo
Information
African Studies Review , Volume 61 , Issue 3 , September 2018 , pp. 201 - 206
Copyright
Copyright © African Studies Association 2018 

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References

References

Barlet, Olivier. 1996. Cinémas d’Afrique noire. Le regard en question. Paris: L’Harmattan.Google Scholar
Barlet, Olivier. Cinémas africains des années 2000. Perspectives critiques. 2012. Paris: L’Harmattan.Google Scholar
Boughedir, Ferid. 1974. “Comment le cinéma peut œuvrer à l’indépendance et l’autorité culturelle africaine.” Présence Africaine 90: 123–39.Google Scholar
Diawara, Manthia. 1992. African Cinema: Politics and Culture. Indianapolis: Indiana University Press.Google Scholar
Girard, René. 1972. La Violence et le sacré. Paris: Pluriel.Google Scholar
Harrow, Kenneth. 2007. Postcolonial African Cinema. From Political Engagement to Postmodernism. Bloomington: Indiana University Press.Google Scholar
Ngangura, Mwenze. 1996. “African Cinema. Militancy or Entertainment?” In Bakari, Imruh and Cham, Mbye, dir, African Experiences of Cinema, 60–64. London: BFI.Google Scholar
Ouedraogo, Idrissa. 1995. “Le cinéma et nous.” In FEPACI (Ed.), L’Afrique et le centenaire du cinéma/Africa and the Centenary of Cinema, 336–42. Paris: Présence Africaine.Google Scholar
Ukadike, Nwachukwu Frank. 1994. Black African Cinema. Berkeley: University of California Press.Google Scholar
Zimmer, Christian. 1974. Cinéma et politique. Paris: Seghers.Google Scholar
Barlet, Olivier. 1996. Cinémas d’Afrique noire. Le regard en question. Paris: L’Harmattan.Google Scholar
Barlet, Olivier. Cinémas africains des années 2000. Perspectives critiques. 2012. Paris: L’Harmattan.Google Scholar
Boughedir, Ferid. 1974. “Comment le cinéma peut œuvrer à l’indépendance et l’autorité culturelle africaine.” Présence Africaine 90: 123–39.Google Scholar
Diawara, Manthia. 1992. African Cinema: Politics and Culture. Indianapolis: Indiana University Press.Google Scholar
Girard, René. 1972. La Violence et le sacré. Paris: Pluriel.Google Scholar
Harrow, Kenneth. 2007. Postcolonial African Cinema. From Political Engagement to Postmodernism. Bloomington: Indiana University Press.Google Scholar
Ngangura, Mwenze. 1996. “African Cinema. Militancy or Entertainment?” In Bakari, Imruh and Cham, Mbye, dir, African Experiences of Cinema, 60–64. London: BFI.Google Scholar
Ouedraogo, Idrissa. 1995. “Le cinéma et nous.” In FEPACI (Ed.), L’Afrique et le centenaire du cinéma/Africa and the Centenary of Cinema, 336–42. Paris: Présence Africaine.Google Scholar
Ukadike, Nwachukwu Frank. 1994. Black African Cinema. Berkeley: University of California Press.Google Scholar
Zimmer, Christian. 1974. Cinéma et politique. Paris: Seghers.Google Scholar