This essay presents Lanrewaju Adepọju, whose work and ideas have been very influential on contemporary Yoruba poetry, as a local intellectual. In estimating his contribution to modernising ewì, an open poetic form that inhabits the interface between the oral and the written, the essay draws on biographical information, an extensive personal interview and relevant textual illustration. It correlates Adepọju's vision of poetry with the development of his creative consciousness and draws attention to aspects of his poetics and politically implicated poetry that deserve closer engagement. The article also offers a translation of a sample poem by Adepọju, while the online version of the essay offers more of his poems as well as an interview.

This essay presents a history of the mikiliste, the high-living bon vivant who travels to Europe and is a central figure in Kinois urban mythology. It looks in particular at the highly theatrical exchanges engaged in by the mikiliste, which relate especially to music patronage and to designer clothing. I show how these exchanges have evolved over time, both shaping and being shaped by the political economy of Kinshasa. The essay shows how such aesthetic performances should not be discussed in isolation from wider political-economic considerations. Those who participate in economies of prestige must be connected to a material base, and the ruling class, with their access to the resources of the interior, have become ever more important participants in the mikiliste rituals of largesse. Recently, the violent contestation of mikiliste exchange, both in Europe and in Kinshasa, indicates that such moments of largesse may be involved in reproducing political-economic relations in the Congolese capital.

This article primarily concerns the intersection of the changing management of death with the problems and possibilities presented by the growing mobility of the African, and specifically Xhosa-speaking, population in South Africa from the latter half of the twentieth century to the present day. I am interested in how shifts in the practices and beliefs around death are mediated by individuals, households and businesses who have an historical affinity towards movement, particularly across what has been called the ‘rural–urban nexus’. In what ways has this more mobile orientation influenced the perception of rites and responsibilities surrounding death? And how have more mobile ‘ways of dying’ in turn created new subjectivities and new ways in which to imagine relations between the living and the dead? I argue that African funeral directors based in Cape Town and the rural areas of the Eastern Cape – a steadily more numerous and prominent group of entrepreneurs – are well-placed to shape these processes, through their role as cultural mediators and technological innovators, and their particular emphasis on maintaining a flow of bodies (both dead and alive) between rural and urban areas. I focus on two aspects of contemporary South African funerals – embalming and exhumations – that are suggestive of how the migration dynamic, and the continuing demands from mobile mourners for innovations via the funeral industry, have encouraged new perceptions of and relations to the dead body.

This article focuses on a number of Ga spirit mediums located in Teshi, a neighbourhood of the Ghanaian capital, Accra. These individuals host foreign spirits from areas north of Ga territory, such as the modern Ashanti, Gonja and Dagomba regions. Such encounters of cross-cultural spirit possession have often been analysed in the scholarly literature as an embedded history of contact between peoples. These histories of ethnic or cultural contact – which inform cross-cultural spirit possession – are constantly re-imagined by spirit mediums and the broader community they service. How this re-imagination occurs, in conjunction with developments in the contemporary political and public spheres, is a theme that remains understudied. The perceived shifts in the contours of ethnic alliances and rivalries on a national scale, against the backdrop of modern Ghanaian party politics and the ever-changing relationships between the Ga and their northern neighbours, led to a thematic reconfiguration of possession practices in 2004. This ethnographic vignette details how spirit mediums were able to apply the ethnic and conceptual cultural divisions intrinsic to this corpus of ritual practice to a critique of national political events, producing a commentary, through possession, on the changing discourses on ethnicity and ethnic relations in the Ghanaian state.

Soon after birth, infants in the Cameroon Grassfields chiefdom of Oku are submitted by their parents to rites known generically as ‘children's medicine’ (k∂fu ∂bwan). Ostensibly performed to protect infants from harm and illness, the rites are in fact fraught with tension: they embrace contradictory perspectives regarding the social role of the mother and belie the normative ideal extolling her as a figure of nurture and protection. The article argues that, beyond their overt purpose and symbolism as rites of passage, the rites evoke collective memories of child abductions and contemporary anxieties regarding the anticipated departure of older children and adolescents into foster care or migrant labour. Going beyond a classic tripartite model, the article takes a long-term view that sees life-crisis rituals as a form of collective memory that bears witness to social tensions that cannot be resolved – in this case the contradictions inherent within the hallowed image of the mother and the compromised nature of parental love.

It is not surprising that animals have played a significant role in KhoeSān cosmology but identifying exactly what that role is and how it relates to different contexts of belief and action is more challenging. This article identifies a special role for birds in KhoeSān thought and practice, which is tightly bound to matters of spirit and healing, seems relatively cohesive and is distinctive and widespread, both culturally and historically. Working out from a detailed KhoeSān medical ethnography and using bird examples taken from a wide range of KhoeSān, I argue that bird relationships are best understood by re-framing popular ideas of ‘supernatural potency’ within persistent habits of perception and the opportunities or challenges they present. I further highlight how KhoeSān interaction with birds must be linked to particular relationships with knowledge in order to understand why birds are so salient. I conclude by emphasizing the dangers of explaining KhoeSān bird relationships within potentially distorting categories of ‘metaphor’.

Writing about conflict in Africa is a tricky thing. Publications from non-governmental organizations and human rights campaigners often read as if they were calibrated to maximize public distress, and thus the political or financial support that would keep human rights institutions in business. Many journalistic accounts are stitched together from the rhetorical and analytical remnants of a colonial and sometimes racist common sense. Against this backdrop, fine-grained empirical studies like those typically produced by anthropologists, historians and geographers take on a particular salience. They stake out a privileged space for explaining other logics, other incentives, and different causal relations that could make sense out of wars, insurgencies and other forms of violence that appear irrational to Europeans and North Americans.