Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-07T15:22:38.732Z Has data issue: false hasContentIssue false

Photography in Sierra Leone, 1850–1918

Published online by Cambridge University Press:  07 December 2011

Extract

In recent years scholars have shown considerable interest in the early use of photography by non-Western peoples. Research on nineteenth-century Indian, Japanese and Chinese photography has revealed a rich synthesis of European and Asian imagery. These early photographs show how non-Western peoples created new forms of artistic expression by adapting European technology and visual idioms for their own purposes. Because of the long history of contact between Sierra Leoneans and Europeans, Freetown seemed a logical starting point for similar photographic research in West Africa. The information presented here is based on ten years of searching for nineteenth-century photographs made by Sierra Leonean photographers. To locate these pictures, I have visited Freetonians and viewed their family portraits and photograph albums, interviewed contemporary photographers throughout Sierra Leone, and researched in the various colonial archives in England to locate photographs preserved from the period of colonial rule. I have discovered that a community of African photographers has worked in the city of Freetown since the very invention of photography. The article reviews the first phase of this unique photographic tradition, 1850–1918, and focuses on several of the African photographers who worked in Freetown during this period.

Résumé

La photographie au Sierra Leone, 1850–1918

Dès les années 1860, des studios de photographie de portraits furent établis par les habitants de Freetown au Sierra Leone. Ils utilisaient des technologies de pointe et les tout derniers styles de photographie. Il reste très peu de données biographiques sur ces premiers photographes de Freetown, ainsi que très peu sur leurs photographies. Cet article passe en revue tout ce que l'on connaît sur la période initiale de l'histoire de la photographie au Sierra Leone et place ces connaissances dans leur contexte technologique. Une sélection de treize photographies a été reproduite (avec titres détaillés), pour illustrer l'étendue des travaux effectués au cours de cette période et pour montrer les styles développés par certains des grands studios de Freetown.

Type
Ecology and technology
Copyright
Copyright © International African Institute 1987

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Barger, M. Susan. 1980. Bibliography of Photographic Processes used before 1880. Rochester, N.Y.: Graphic Arts Research Center.Google Scholar
Bensusan, A. D. 1966. Silver Images: history of photography in Africa Cape Town: Howard Timmons.Google Scholar
Fyfe, Christopher. 1955. ‘The administration in 1885’, Sierra Leone Studies, n.s., 4 (June): 226–8.Google Scholar
Fyfe, Christopher. 1962. A History of Sierra Leone. London: Oxford University Press.Google Scholar
Noel, Matthews. 1971. Materials for West African History in the Archives of the United Kingdom. London: Oxford University Press.Google Scholar
Beaumont, Newhall. 1982. The History of Photography. New York: Museum of Modern Art.Google Scholar
Naomie, Rosenblum. 1985. A World of Photography. New York: Abrams.Google Scholar
Stephen, Sprague. 1978. ‘Yoruba photography: how Yoruba see themselves’, African Arts, XII, 1 (November): 52–9.Google Scholar
Vera, Viditz-Ward. 1985. ‘Alphonso Lisk-Carew, Creole Photographer’, African Arts, XIX, 1 (November): 4651.Google Scholar
Clark, Worswick. 1978. Imperial China Photographs, 1850–1912. New York: Penwick/Crown Books.Google Scholar
Clark, Worswick. 1979. Japan Photographs, 1854–1905. New York: Random House.Google Scholar
Clark, Worswick. 1976. The Last Empire: photography in British India, 1855–1911. Millerton, N.Y.: Aperture.Google Scholar