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Herbert M. Cole, Mbari: art and life among the Owerri Igbo. Bloomington, Indiana: Indiana University Press, 1982, xx + 261 pp., £19.50, 0 253 30397 4.

Published online by Cambridge University Press:  07 December 2011

John Picton
John Picton
Affiliation:
School of Oriental and African Studies, University of London
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Type
Reviews of Books
Information
Africa , Volume 56 , Issue 2 , April 1986 , pp. 244 - 246
Copyright
Copyright © International African Institute 1986

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References

REFERENCES

D'Azevedo, W. L. 1958. ‘A structural approach to esthetics: towards a definition of art in anthropology’, American Anthropologist, 60 (4), 702–14.CrossRefGoogle Scholar
Boston, J. S. 1960. ‘Some northern Ibo masquerades’, Journal of the Royal Anthropological Institute, 90 (1–2), 54–63.Google Scholar
Bradbury, R. E. 1961. ‘Ezomo's Ikegobo and the Benin cult of the hand’, Man (old style), 61 (165), 129–38.Google Scholar
Cole, H. M. 1969a. ‘Mbari is life’, African Arts, 2 (3), 8–17, 87.Google Scholar
Cole, H. M. 1969b. ‘Mbari is dance’, African Arts, 2 (4), 42–51.Google Scholar
Cole, H. M. 1969c. ‘Art as a verb in Iboland’, African Arts, 3 (1), 34–41.CrossRefGoogle Scholar
Horton, R. 1963. ‘The Kalawari Ekine society’, Africa, 33 (2), 94–114.Google Scholar
Horton, R. 1965. Kalahari Sculpture. Lagos: Nigerian Museum.Google Scholar
Thompson, R. F. 1973. ‘Yoruba artistic criticism’, in D'Azevedo, W. L. (ed.), The Traditional Artist in African Societies, pp. 19–61.Bloomington, Indiana: Indiana University Press.Google Scholar