Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-20T03:24:25.447Z Has data issue: false hasContentIssue false
  • English
  • Français

Art as process and product: patronage and the problem of change in Tuareg blacksmith/artisan roles

Published online by Cambridge University Press:  07 December 2011

Susan J. Rasmussen
Get access Rights & Permissions [Opens in a new window]

Résumé

Cet article contribue aux récents dialogues en antropologie et humanités africaines sur la traduction problématique et l'application des concepts occidentaux et non-occidentaux d'esthétique, par exemple, “authentique”, “original” et “touristique”, dans le domaine des pratiques artisanales. Il analyse, compare et contraste le patronage artistique parmi les Touaregs Nigériens dans des contextes sociaux ruraux et urbains. Le rôle du “forgeron” chez les Touaregs, un mot traduit de façon diverse dans les conversations locales et la littérature ethnographique, par “artisan”, “technicien”, et “bijoutier”, suggère le besoin de réviser les différentes perspectives culturelles sur les aspects céremoniaux, esthétiques et commerciaux de l'activité artisanale.

Cet article se concentre sur les rôles changeants, le matériel que les artisans utilisent, et les croyances qui entourent les forgerons. Il soutient que ces actions et ces croyances complexes n'ont pas seulement une influence sur les produits artistiques mais aussi sur les processus socio-économiques auxquels les producteurs, la clientèle, et le public contribue dans des milieux et contextes différents.

Type
Patronage and context in modern Air
Information
Africa , Volume 65 , Issue 4 , October 1995 , pp. 592 - 610
Copyright
Copyright © International African Institute 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Aronson, Lisa. 1980. ‘Patronage and Akwete weaving’, African Arts XIII (3), 62–6.CrossRefGoogle Scholar
Barth, Heinrich. 1857. Travels and Discoveries in North Central Africa I, London: Longman.Google Scholar
Ben-Amos, Paula. 1976. ‘A la recherche du temps perdu: on being an ebony-carver in Benin’, in Grabun, Nelson H. H. (ed.), Ethnic and Tourist Arts: cultural impressions from the Fourth World, Berkeley, Cal.: University of California Press.Google Scholar
Ben-Amos, Paula. 1980. ‘Patron-artist interactions in Africa’, African Arts XIII (3), 56–7.Google Scholar
Bernus, Edmond. 1981. Touaregs nigeriens: unité culturelle et diversité régionale d'un peuple pasteur. Paris: Editions de l'Office de la Recherche Scientifique et Technique Outre-mer.Google Scholar
Bird, Charles, and Kendall, Martha B. 1980. ‘The Mande hero’, in Bird, Charles and Karp, Ivan (eds.), Explorations in African Systems of Thought. Bloomington, Ind.: Indiana University Press.Google Scholar
Blier, Suzanne. 1988. ‘Words about words about icons: iconology and the study of African art’, Art Journal 47 (2), 75–86.CrossRefGoogle Scholar
Briggs, L. C. 1960. Tribes of the Sahara. Cambridge, Mass.: Harvard University Press.CrossRefGoogle Scholar
Card, Caroline. 1978. ‘Tuareg Music and Social Identity’. Unpublished Ph.D. thesis, Bloomington: Indiana University.Google Scholar
Casajus, Dominique. 1987. ‘Crafts and ceremonies: the Inadan in Tuareg society’, in Rao, Aparna (ed.), The Other Nomads: peripatetic minorities in cross-cultural perspectives. Cologne and Vienna: Böhlau.Google Scholar
Clifford, James. 1988. The Predicament of Culture: twentieth-century ethnography, literature and art. Cambridge, Mass.: Harvard University Press.Google Scholar
Clifford, James, and Marcus, George E. (eds). 1986. Writing Culture: the poetics and politics of ethnography. Berkeley, Cal: University of California Press.CrossRefGoogle Scholar
Douglas, Mary. 1958. ‘Raffia cloth distribution in Lele economy’. Africa 28, 109–22.Google Scholar
Gabus, Jean. 1982. Au Sahara: bijoux et techniques. Neuchâtel: Musée de Neuchâtel.Google Scholar
Goffman, Erving. 1959. The Presentation of Self in Everyday Life. Garden City, N.Y.: Doubleday.Google Scholar
Graburn, Nelson H. H. (ed.). 1976. Ethnic and Tourist Arts: cultural impressions from the Fourth World. Berkeley, Cal.: University of California Press.CrossRefGoogle Scholar
Herbert, Eugenia. 1984. Red Gold of Africa. Madison, Wis.: University of Wisconsin Press.Google Scholar
Johnson, John W. 1979. The Epic of Sun-Jata according to Magan Sisoko. Bloomington, Ind.: Bloomington Folklore Publications Group.Google Scholar
Jules-Rosette, Bennetta. 1984. The Messages of Tourist Art: an African semiotic system in comparative perspective. New York: Plenum Press.Google Scholar
Jules-Rosette, Bennetta. 1986. ‘Aesthetics and market demand: the structure of the tourist art market in three African settings’, African Studies Review 29(1), 41–60.CrossRefGoogle Scholar
Kasfir, Sidney Littlefield. 1980. ‘Patronage and Maconde carvers’, African Arts XIII (3), 67–70.CrossRefGoogle Scholar
Keenan, Jeremy. 1977. Tuareg: people of Ahaggar. London: Allen Lane.Google Scholar
Lhote, Henri. 1955. Les Touareg du Hoggar. Paris: Payot.Google Scholar
McNaughton, Patrick. 1971. Introduction to Aesthetic Anthropology. Addison-Wesley Module in Anthropology, Reading, Mass.: Addison-Wesley.Google Scholar
McNaughton, Patrick. 1979. Secret Sculptures of Komo: art and power in Bamana initiation associations. Philadelphia, Pa.: Institution for the Study of Human Issues.Google Scholar
Marcus, George E., and Fischer, Michael M. J. 1986. Anthropology as Cultural Critique: an experimental moment in the human sciences. Chicago: University of Chicago Press.Google Scholar
Mudimbe, Valentin. 1986. ‘African art as a question mark’, African Studies Review 29, (1), 3–5.Google Scholar
Nicolaisen, Johannes. 1963. The Ecology and Culture of the Pastoral Tuareg. Copenhagen: Royal Copenhagen Museum.Google Scholar
Peek, Philip M. 1980. ‘Isoko artists and their audiences’, African Arts XIII (3), 58–60.Google Scholar
Perani, Judith. 1980. ‘Patronage and Nupe craft industries’, African Arts XIII (3), 71–5.Google Scholar
Rasmussen, Susan J. 1989. ‘Accounting for belief: causation, misfortune and evil in Tuareg systems of thought’, Man 24, 124–44.CrossRefGoogle Scholar
Rasmussen, Susan J. 1991. ‘Tuareg ritual specialists, ambiguity, and power’, Man 27 (1), 105–28.Google Scholar
Rasmussen, Susan J. 1995. Spirit Possession and Personhood among the Kel Ewey Tuareg. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Rennell of Rodd, Lord Francis. 1926. People of the Veil, London: Macmillan.Google Scholar
Saenz, Candelario. 1992. ‘They ate our Grandfathers’. Unpublished Ph.D. dissertation, Morningside Heights, N.Y.: Columbia University.Google Scholar
Schmidt, Peter. 1983. ‘Cultural meaning and history in African myth’, IJOH (4) 3, 167–83.Google Scholar
Van Gennep, Arnold. 1960. The Rites of Passage. Chicago: University of Chicago.Google Scholar