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The Domino and the Eighteenth-Century London Masquerade

A Social Biography of a Costume

Published online by Cambridge University Press:  29 November 2023

Meghan Kobza
Affiliation:
Newcastle University

Summary

This Element presents new cultural, social, and economic perspectives on the eighteenth-century London masquerade through an in-depth analysis of the classic domino costume. Constructing the object biography of the domino through material, visual, and written sources will bring together various experiences of the masquerade and expand the existing geographical, chronological, and socio-economic scope of the entertainment beyond the masquerade event itself. This Element will examine the domino's physical and figurative movements from the masquerade warehouse, through eighteenth-century fashionable society, and into print and visual culture. It will draw upon masquerade warehouse records, newspapers, manuscripts, prints, and physical objects to establish a comprehensive understanding of the domino and how it reflected contemporary experiences of the real and imagined masquerade. Analysing the domino through interdisciplinary methodologies illustrates the impact material and visual sources can have on reshaping existing scholarship.
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Online ISBN: 9781009042406
Publisher: Cambridge University Press
Print publication: 15 February 2024

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Bibliography

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Anonymous. Dictionarium Britannicum. 2nd ed. London: T. Cox, 1730.Google Scholar
Anonymous Johnson’s Dictionary of the English Language in Miniature. 8th ed. London: Lee and Hurst, 1797.Google Scholar
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A Catalogue of the genuine, rich and very extensive Wardrobe Consisting of a Great Variety of Masquerade Dresses, the Property of Mr. Spilsbury … London: Christie’s Auction House, 1779.Google Scholar
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Harvey, Karen, ed. History and Material Culture: A Student’s Guide to Approaching Alternative Sources. New York: Routledge, 2009.Google Scholar
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Hunt, Margaret. The Middling Sort: Commerce, Gender, and the Family in England 1680–1780. Berkeley: University of California Press, 1996.CrossRefGoogle Scholar
Hunter, David. ‘Rode the 12,000? Counting Coaches, People and Errors En Route to the Rehearsal of Handel’s Music for the Royal Fireworks at Spring Gardens, Vauxhall in 1749’. The London Journal 37, no. 1 (March 2012): 1326.CrossRefGoogle Scholar
Kobza, Meghan. ‘Dazzling or Fantastically Dull? Re-examining the Eighteenth-Century London Masquerade’. Journal for Eighteenth-Century Studies 43, no. 2 (2020): 161–81.CrossRefGoogle Scholar
Kobza, MeghanThe Habit of Habits: Material Culture and the Eighteenth-Century London Masquerade’. Studies in Eighteenth-Century Culture 50, no. 1 (2021): 265–93.CrossRefGoogle Scholar
Marschner, Joanna and Arch, Nigel. Splendour at Court: Dressing for Royal Occasions since 1700. London: Unwin Hyman, 1987.Google Scholar
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McKendrick, NeilGeorge Packwood and the Commercialization of Shaving: The Art of Eighteenth-Century Advertising or “the Way to Get Money and Be Happy”’. In The Birth of a Consumer Society: The Commercialization of Eighteenth-Century England, edited by Brewer, John, McKendrick, Neil, and Plumb, J. H.. London: Europa, 1982, 147–9.Google Scholar
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Vickery, Amanda and Styles, John, eds. Gender, Taste, and Material Culture in Britain and North America 1700–1830. New Haven: Yale University Press, 2006.Google Scholar
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Morimoto, Marci. ‘White Domino’. Email. 2021.Google Scholar
Alexander, Kimberly S. Treasures Afoot: Shoe Stories from the Georgian Era. Baltimore: Johns Hopkins University Press, 2018.CrossRefGoogle Scholar
Anishanslin, Zara. Portrait of a Woman in Silk: Hidden Histories of the British Atlantic World. New Haven: Yale University Press, 2016.CrossRefGoogle Scholar
Berg, Maxine. Luxury and Pleasure in Eighteenth-Century Britain. Oxford: Oxford University Press, 2005.Google Scholar
Bermingham, Ann and Brewer, John, eds. The Consumption of Culture 1600–1800: Image, Object, Text. London: Routledge, 1995.Google Scholar
Berry, Helen. ‘Polite Consumption: Shopping in Eighteenth-Century England’. Transactions of the Royal Historical Society 12 (2002): 375–94.CrossRefGoogle Scholar
Black, Jeremy. The English Press in the Eighteenth Century. Beckenham: Croom Helm, 1987.Google Scholar
Borsay, Peter. ‘The Emergence of a Leisure Town: Or an Urban Renaissance?Past & Present 126 (February 1990): 189–96.CrossRefGoogle Scholar
Brewer, John. The Pleasures of the Imagination: English Culture in the Eighteenth Century. London: HarperCollins, 1997.Google Scholar
Brewer, John and Porter, Roy, eds. Consumption and the World of Goods. London: Routledge, 1993.Google Scholar
Burke, Peter. Popular Culture in Early Modern Europe. London: Harper and Row, 1978.Google Scholar
Castle, Terry. Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction. Stanford: Stanford University Press, 1986.Google Scholar
Craft-Fairchild, Catherine. Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women. Pennsylvania: Pennsylvania State University Press, 1993.Google Scholar
Doderer-Winkler, Melanie. Magnificent Entertainments: Temporary Architecture for Georgian Festivals. London: Yale University Press, 2013.Google Scholar
Dyer, Serena. ‘State of the Field: Material Culture’. History 106, no. 370 (2021): 282–92.CrossRefGoogle Scholar
Dyer, Serena and Smith, Chloe Wigston, eds. Material Literacy in Eighteenth-Century Britain: A Nation of Makers. London: Bloomsbury, 2020.CrossRefGoogle Scholar
Earle, Peter. ‘The Middling Sort in London’. In The Middling Sort of People: Culture, Society, and Politics in England, 1550–1800, edited by Brooks, Christopher and Barry, Jonathan. London: Macmillan, 1994, 141–58.Google Scholar
Eaton, Linda. Printed Textiles: British and American Cottons and Linens 1700–1850. New York: Monacelli Press, 2014.Google Scholar
Eglin, John. Venice Transfigured: The Myth of Venice in British Culture, 1660–1797. New York: Palgrave, 2001.Google Scholar
Erickson, Amy Louise. ‘Eleanor Mosley and Other Milliners in the City of London Companies 1700–1750’. History Workshop Journal 71 (Spring 2011): 147–72.CrossRefGoogle Scholar
Gerritsen, Anne and Riello, Giorgio. Writing Material Culture. London: Bloomsbury Academic, 2015.Google Scholar
Greig, Hannah. ‘“All Together and All Distinct”: Public Sociability and Social Exclusivity in London’s Pleasure Gardens, Ca. 1740–1800’. Journal of British Studies 51 (2012): 5075.CrossRefGoogle Scholar
Greig, Hannah and Vickery, Amanda, eds. ‘The Political Day in London, c. 1697–1834’. Past & Present 252, no. 1 (2020): 101–37.Google Scholar
Harvey, Karen, ed. History and Material Culture: A Student’s Guide to Approaching Alternative Sources. New York: Routledge, 2009.Google Scholar
Harvey, KarenMen of Parts: Masculine Embodiment and the Male Leg in Eighteenth-Century England’. Journal of British Studies 54, October (2015): 797821.CrossRefGoogle Scholar
Hume, Robert D.The Value of Money in Eighteenth-Century England: Incomes, Prices, Buying Power – and Some Problems in Cultural Economics’. Huntington Library Quarterly 77, no. 4 (2015): 373416.Google Scholar
Hunt, Margaret. The Middling Sort: Commerce, Gender, and the Family in England 1680–1780. Berkeley: University of California Press, 1996.CrossRefGoogle Scholar
Hunter, David. ‘Rode the 12,000? Counting Coaches, People and Errors En Route to the Rehearsal of Handel’s Music for the Royal Fireworks at Spring Gardens, Vauxhall in 1749’. The London Journal 37, no. 1 (March 2012): 1326.CrossRefGoogle Scholar
Kobza, Meghan. ‘Dazzling or Fantastically Dull? Re-examining the Eighteenth-Century London Masquerade’. Journal for Eighteenth-Century Studies 43, no. 2 (2020): 161–81.CrossRefGoogle Scholar
Kobza, MeghanThe Habit of Habits: Material Culture and the Eighteenth-Century London Masquerade’. Studies in Eighteenth-Century Culture 50, no. 1 (2021): 265–93.CrossRefGoogle Scholar
Marschner, Joanna and Arch, Nigel. Splendour at Court: Dressing for Royal Occasions since 1700. London: Unwin Hyman, 1987.Google Scholar
McKendrick, Neil. ‘Introduction’. In The Birth of a Consumer Society: The Commercialization of Eighteenth-Century England, edited by Brewer, John, McKendrick, Neil, and Plumb, J. H.. London: Europa, 1982.Google Scholar
McKendrick, NeilGeorge Packwood and the Commercialization of Shaving: The Art of Eighteenth-Century Advertising or “the Way to Get Money and Be Happy”’. In The Birth of a Consumer Society: The Commercialization of Eighteenth-Century England, edited by Brewer, John, McKendrick, Neil, and Plumb, J. H.. London: Europa, 1982, 147–9.Google Scholar
Neil, McKendrick, Brewer, John, and Plumb, J.H.. The Birth of a Consumer Society: The Commercialization of Eighteenth-Century England. London: Europa, 1982.Google Scholar
Ribeiro, Aileen. Dress in Eighteenth-Century Europe: 1715–1789. London: Yale University Press, 2002.Google Scholar
Ribeiro, Aileen The Dress Worn at Masquerades in England, 1730 to 1790, and Its Relation to Fancy Dress in Portraiture. London: Garland Publishing, 1984.Google Scholar
Riello, Giorgio. ‘Things that Shape History: Material Culture and Historical Narratives’. Chap. 1 in History and Material Culture: A Student’s Guide to Approaching Alternative Sources, edited by Harvey, Karen. London: Routledge, 2009, 2447.Google Scholar
Rothstein, Natalie. Silk Designs of the Eighteenth Century in the Collection of the Victoria and Albert Museum, London with a Complete Catalogue. London: Bulfinch Press, 1990.Google Scholar
Russell, Gillian. Women, Sociability and Theatre in Georgian London. Cambridge: Cambridge University Press, 2007.Google Scholar
Schoeser, Mary. Printed Handkerchiefs. London: Museum of London, 1988.Google Scholar
Shammas, Carole. ‘Changes in English and Anglo-American Consumption from 1550 to 1800’. In Consumption and the World of Goods, edited by Brewer, John and Porter, Roy. London: Routledge, 1993, 177205.Google Scholar
Stone, Lawrence. ‘The Residential Development of the West End of London in the Seventeenth Century’. In After the Reformation: Essays in Honor of J.H. Hexter, edited by Malament, Barbara. Philadelphia: University of Pennsylvania Press, 1980, 167212.CrossRefGoogle Scholar
Summers, Judith. Empress of Pleasure: The Life and Adventures of Teresa Cornelys. London: Penguin Books, 2004.Google Scholar
Van Horn, Jennifer. The Power of Objects in Eighteenth-Century British America. Chapel Hill: University of North Carolina Press, 2017.CrossRefGoogle Scholar
Vickery, Amanda. Behind Closed Doors: At Home in Georgian England. London: Yale University Press, 2009.Google Scholar
Vickery, AmandaMutton Dressed as Lamb? Fashioning Age in Georgian England’. Journal of British Studies 52, no. 4 (2013): 858–86.CrossRefGoogle Scholar
Vickery, Amanda and Styles, John, eds. Gender, Taste, and Material Culture in Britain and North America 1700–1830. New Haven: Yale University Press, 2006.Google Scholar
Wahrman, Dror. The Making of the Modern Self: Identity and Culture in Eighteenth-Century England. London: Yale University Press, 2006.Google Scholar
Wall, Cynthia Sundberg. The Prose of Things: Transformations of Description in the Eighteenth Century. London: University of Chicago Press, 2006.CrossRefGoogle Scholar
Weatherill, Lorna. Consumer Behaviour and Material Culture in Britain, 1660–1760. 2nd ed. London: Routledge, 1996.Google Scholar
Arnold, Janet. ‘A Pink Domino c.1760–70 at the Victoria and Albert Museum’, Victoria and Albert Museum, 2009, accessed February 2018, https://collections.vam.ac.uk/item/O363441/domino-unknown/.Google Scholar
Cooper, Paul. ‘Mrs Walker’s Masquerades 1800–1804’. Regency Dances. 22 February 2022, accessed 15 October 2022, www.regencydances.org/paper055.php.Google Scholar
‘Domino: 18th Century’. The Met Museum, New York, accessed 7 March 2021, www.metmuseum.org/art/collection/search/90514.Google Scholar
Hoskin, Dawn. ‘Considerations on a Handkerchief’. Victoria and Albert Museum Blog. 16 December 2013, accessed 22 January 2020, www.vam.ac.uk/blog/creating-new-europe-1600-1800-galleries/considerations-handkerchief.Google Scholar
‘Music Room Chandelier’. The 100 Objects at Powderham Project, University of Plymouth, Cornerstone Praxis with Plymouth University, Powderham Castle, accessed 12 January 2020, www.100objectsproject.com/explore/005-music-room-chandelier.Google Scholar
‘Records of the Union Club’. London Metropolitan Archives, accessed 15 September 2022, https://search.lma.gov.uk/scripts/mwimain.dll/144/LMA_OPAC/web_detail/REFD+A~2FUNC?SESSIONSEARCH.Google Scholar
Tanner, Simon, Muñoz, Trevor, and Hemy Ros, Pich. ‘Measuring Mass Text Digitization Quality and Usefulness: Lessons Learned from Assessing the OCR Accuracy of the British Library’s 19th Century Online Newspaper Archive’. D-Lib Magazine, July/August 2009. www.dlib.org/dlib/july09/munoz/07munoz.html, accessed December 2016.CrossRefGoogle Scholar
‘Trial of Thomas Lawrence ((t17960406-80), April 1769’. Old Bailey Proceedings Online, www.oldbaileyonline.org, version 8.0, accessed 15 September 2022.Google Scholar
Morimoto, Marci. ‘White Domino’. Email. 2021.Google Scholar

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The Domino and the Eighteenth-Century London Masquerade
  • Meghan Kobza, Newcastle University
  • Online ISBN: 9781009042406
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The Domino and the Eighteenth-Century London Masquerade
  • Meghan Kobza, Newcastle University
  • Online ISBN: 9781009042406
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The Domino and the Eighteenth-Century London Masquerade
  • Meghan Kobza, Newcastle University
  • Online ISBN: 9781009042406
Available formats
×