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  • Cited by 10
Publisher:
Cambridge University Press
Online publication date:
September 2009
Print publication year:
2003
Online ISBN:
9780511486593

Book description

Biodun Jeyifo examines the connections between the innovative and influential writings of Wole Soyinka and his radical political activism. Jeyifo carries out detailed analyses of Soyinka's most ambitious works, relating them to the controversies generated by Soyinka's use of literature and theatre for radical political purposes. He gives a fascinating account of the profound but paradoxical affinities and misgivings Soyinka has felt about the significance of the avant-garde movements of the twentieth century. Jeyifo also explores Soyinka's works with regard to the impact on his artistic sensibilities of the pervasiveness of representational ambiguity and linguistic exuberance in Yoruba culture. The analyses and evaluations of this study are presented in the context of Soyinka's sustained engagement with the violence of collective experience in post-independence, postcolonial Africa and the developing world. No existing study of Soyinka's works and career has attempted such a systematic investigation of their complex relationship to politics.

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'… there are very few critics writing in the field who can carry out this kind of examination so well.'

Source: African Affairs

'… fascinating …'

Source: Wasafiri

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Contents

Bibliography
Published works by wole Soyinka
The House of Banigeji (dramatic fragment) in Reflections: Nigerian Prose and Verse, Frances Ademola (ed.), Lagos, Nigeria: African Universities Press, 1962
The Lion and the Jewel (drama). London: Oxford University Press, 1963
A Dance of the Forests (drama). London: Oxford University Press, 1963
Five Plays: A Dance of the Forests, The Lion and the Jewels, The Swamp Dwellers, The Trials of Brother Jero and The Strong Breed. London: Oxford University Press, 1964
The Interpreters (novel). London: Andre Deutsch, 1965
The Road (drama). London: Oxford University Press, 1965
Kongi's Harvest (drama). London: Oxford University Press, 1967
Idanre and Other Poems. London: Methuen, 1967
The Forest of a Thousand Daemons. Translation of Yoruba novel, Ogboju Ode Ninu Igbo Irunmale by D. O. Fagunwa. London: Nelson, 1968
Three Plays: The Swamp Dwellers, The Trials of Brother Jero and The Strong Breed. Ibadan, Nigeria: Mbari Publications. Republished as Three Short Plays, London: Oxford University Press, 1969
Poems from Prison. London: Rex Collings, 1969
Before the Blackout (revue sketches). Ibadan: Orisun Editions, 1971
A Shuttle in the Crypt (poetry). London: Rex Collings/Metheun, 1971
Madmen and Specialists (drama). London: Metheun, 1971
The Man Died (prison memoir). London: Rex Collings, 1972
The Bacchae of Euripides: A Communion Rite (drama). London: Methuen, 1973
Camwood on the Leaves (radio drama). London: Metheun, 1973
Collected Plays, Vol 1. London: Oxford University Press, 1973
The Jero Plays (The Trials of Brother Jero and Jero's Metamorphosis). London: Methuen, 1973
Season of Anomy (novel). London: Rex Collings, 1973
Collected Plays, Vol 2. London: Oxford University Press, 1974
Death and the King's Horseman (drama). London: Methuen, 1975
Poems of Black Africa (edited anthology). London: Secker and Warburg, 1975
Myth, Literature and the African World (criticism). Cambridge University Press, 1976
Ogun Abibiman (poetry). London: Rex Collings, 1976
Aké: The Years of Childhood (autobiography). London: Rex Collings, 1981
Opera Wonyosi (drama). London: Rex Collings, 1981
A Play of Giants (drama). London: Methuen, 1984
Six Plays (The Trials of Brother Jero; Jero's Metamorphosis; Camwood on the Leaves; Death and the King's Horseman; Madmen and Specialists; Opera Wonyosi). London: Methuen, 1984
Requiem for a Futurologist (drama). London: Rex Collings, 1985
Mandela's Earth and Other Poems. New York: Random House, 1988
Isara: A Voyage Around ‘Essay’ (memoir). New York: Random House, 1989
From Zia with Love and A Scourge of Hyacinths (dramas). London: Metheun, 1992
Art, Dialogue and Outrage: Essays on Literature and Culture. [Edited by Biodun Jeyifo] Ibadan: New Horn Press, 1988. Expanded and Revised. Edition published by Methuen, 1993
Ibadan: The ‘Penkelemes’ Years (memoir). London: Methuen, 1994
The Beatification of Area Boy: A Lagosian Kaleidoscope (drama). London: Methuen, 1995
The Open Sore of a Continent: A Personal Narrative of the Nigerian Crisis (political and philosophical reflection). New York: Oxford University Press, 1996
The Burden of Memory, the Muse of Forgiveness (literary criticism, political and philosophical reflection). New York: Oxford University Press, 1999
Outsiders (poetry). Canton, GA: Wisteria Press, 1999
Uncollected essays and articles
And After the Narcissist?.” African Forum 1.4, 1966, 53–64
“The Nigerian Stage: A Study in Tyranny and Individual Survival.” In Colloquium on Negro Art. Paris: Presence Africaine, 1968, 538–49
“Ethics, Ideology and the Critic.” In Criticism and Ideology, Kirsten Holst Petersen (ed.), Uppsala: Scandinavian Institute of African Studies, 1988, 26–51
This Past Must Address Its Present” (Nobel Prize Lecture). In Black American Literature Forum 22.3, 1988, 429–46
Twice Bitten: The Fate of Africa's Culture Producers.” In PLMA 105, no. 1, 1990, 110–20
Of Power and Change.” African Statesman 1.3, 1999, 17–19
From Ghetto to Garrison: A Chronic Case of Orisunitis,” Research in African Literatures, vol. 30 no. 4, (Winter 1999), 6–23
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