Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Stauffer, George B.
Shreffler, Anne C.
Haimo, Ethan
Hanning, Barbara R.
and
Steib, Murray
1993.
Book reviews.
Journal of Musicological Research,
Vol. 13,
Issue. 3-4,
p.
257.
Leleu, Jean-Louis
1998.
Enoncé musical et mode (s) de structuration de l'espace sonore, ou: de la relation composition/cognition dans un fragment de l'opus 28, I de Webern.
Musicae Scientiae,
Vol. 2,
Issue. 1,
p.
3.
Busch, Regina
1998.
Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz.
p.
225.
Mead, Andrew
1999.
Bodily Hearing: Physiological Metaphors and Musical Understanding.
Journal of Music Theory,
Vol. 43,
Issue. 1,
p.
1.
Alegant, Brian
1999.
WHEN EVEN BECOMES ODD: A PARTITIONAL APPROACH TO INVERSION.
Journal of Music Theory,
Vol. 43,
Issue. 2,
p.
193.
Alegant, Brian
2001.
Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music.
Music Theory Spectrum,
Vol. 23,
Issue. 1,
p.
1.
AYREY, CRAIG
2002.
Nomos/Nomos: Law, Melody and the Deconstructive in Webern's‘Leichteste Bürden der Bäume’, Cantata II Op. 31.
Music Analysis,
Vol. 21,
Issue. 3,
p.
259.
Hunter, David J.
and
von Hippel, Paul T.
2003.
How Rare Is Symmetry in Musical 12-Tone Rows?.
The American Mathematical Monthly,
Vol. 110,
Issue. 2,
p.
124.
Auner, Joseph
2004.
The Cambridge History of Twentieth-Century Music.
p.
228.
Goldman, Jonathan
2008.
ChartingMémoriale: Paradigmatic Analysis and Harmonic Schemata in Boulez's ... explosante‐fixe ... .
Music Analysis,
Vol. 27,
Issue. 2-3,
p.
217.
Borio, Gianmario
2010.
L’analyse musicale comme processus d’appropriation historique : Webern à Darmstadt.
Circuit,
Vol. 15,
Issue. 3,
p.
87.
Straus, Joseph N.
2011.
Contextual-Inversion Spaces.
Journal of Music Theory,
Vol. 55,
Issue. 1,
p.
43.
2016.
Music in the 20th Century (3 Vol Set).
p.
662.
Cook, Nicholas
2017.
Inventing Tradition: Webern's Piano Variations in Early Recordings.
Music Analysis,
Vol. 36,
Issue. 2,
p.
163.
Moseley, Brian
2018.
Cycles in Webern’s Late Music.
Journal of Music Theory,
Vol. 62,
Issue. 2,
p.
165.
Honarmand, Amin
2019.
Aggregates and Quasi-Aggregates: A Study of Dodecaphony in Schnittke’s Music.
Music Theory Spectrum,
Vol. 41,
Issue. 2,
p.
305.
Moseley, Brian
2019.
Transformation Chains, Associative Areas, and a Principle of Form for Anton Webern’s Twelve-tone Music.
Music Theory Spectrum,
Vol. 41,
Issue. 2,
p.
218.
Brown, Jenine
2020.
The Perception of Frozen Intervals in Anton Webern’s Concerto for Nine Instruments, Op. 24, Third Movement.
Music Theory Spectrum,
Vol. 42,
Issue. 1,
p.
38.
Sullivan, James
2021.
Metric Manipulations in Post-Tonal Music.
Music Theory Spectrum,
Vol. 43,
Issue. 1,
p.
123.
Zeller, Matthew
2022.
Klangfarbenmelodie in 1911: Timbre’s Functional Roles in Webern’s Opp. 9 and 10.
Music Theory Online,
Vol. 28,
Issue. 1,