Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Alegant, Brian
and
Mead, Andrew
2012.
Having the Last Word: Schoenberg and the Ultimate Cadenza.
Music Theory Spectrum,
Vol. 34,
Issue. 2,
p.
107.
Paul Sheehan
2013.
Composing with a Multitude of Twelve-Tone Entities: Luigi Dallapiccola's <em>Il prigioniero</em>.
Perspectives of New Music,
Vol. 51,
Issue. 1,
p.
99.
2013.
Luigi Dallapiccola and Musical Modernism in Fascist Italy.
p.
194.
Earle, Ben
2015.
Twelve‐Note Music as Music: an Essay in Two Parts.
Music Analysis,
Vol. 34,
Issue. 1,
p.
91.
ALEGANT, BRIAN
2016.
DALLAPICCOLA'S SECOND THOUGHTS: THE EPILOGUE TO THE CONCERTO PER LA NOTTE DI NATALE DELL'ANNO 1956.
Music Analysis,
Vol. 35,
Issue. 2,
p.
233.
Samuel, Jamuna
2017.
Ethics and Musical Language: A Gramscian Reading of Dallapiccola’s Liriche greche and Their Influence.
Intersections,
Vol. 35,
Issue. 1,
p.
123.
WLODARSKI, AMY LYNN
2018.
George Rochberg's Road toArs Combinatoria, 1943–63.
Journal of the Society for American Music,
Vol. 12,
Issue. 2,
p.
119.
Vishio, Anton
2019.
Leçons de Tenebrae: Brian Cherney, Paul Celan, and a Music of Witness.
Intersections,
Vol. 37,
Issue. 1,
p.
157.
Gotham, Mark
and
Yust, Jason
2021.
Serial Analysis: A Digital Library of Rows in the Repertoire and their Properties, with Applications for Teaching and Research.
p.
32.
