Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Llano, Samuel
2010.
ESPAÑA EN LA VITRINA: MAURICE RAVEL, EL MITO DE LA AUTENTICIDAD Y EL NEOIMPERIALISMO ESPAÑOL.
Journal of Spanish Cultural Studies,
Vol. 11,
Issue. 1,
p.
1.
Minors, Helen Julia
2014.
Michael J. Puri, Ravel the Decadent: Memory, Sublimation, and Desire (New York: Oxford University Press, 2011). viii + 272 pp. $24.95..
Nineteenth-Century Music Review,
Vol. 11,
Issue. 1,
p.
159.
Huhtamäki, Jukka
Russell, Martha G.
Rubens, Neil
and
Still, Kaisa
2015.
Transparency in Social Media.
p.
197.
2016.
The Cambridge Companion to Film Music.
p.
413.
Beavers, Jennifer P.
2019.
Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’sPiano Concerto in G Major.
Music Theory Online,
Vol. 25,
Issue. 4,
Berry, Mark
and
Vazsonyi, Nicholas
2020.
The Cambridge Companion to Wagner's Der Ring des Nibelungen.
HUEBNER, STEVEN
2020.
Ravel's Tzigane: Artful Mask or Kitsch?.
Twentieth-Century Music,
Vol. 17,
Issue. 1,
p.
63.
Oláh, Boglárka Eszter
2020.
Maurice Ravel : Le Tombeau De Couperin – Part II. The Reminiscence of Baroque Dance Forms.
Studia Universitatis Babeş-Bolyai Musica,
Vol. 65,
Issue. 2,
p.
297.
Oláh, Boglárka Eszter
2021.
Minuet - The Reminiscence of the Individual Dance Form in Maurice Ravel’s Piano Works.
Studia Universitatis Babeş-Bolyai Musica,
Vol. 66,
Issue. 1,
p.
315.
Beavers, Jennifer P.
2021.
Ravel’s Sound.
Music Theory Online,
Vol. 27,
Issue. 1,
Дедусенко, Ж. В.
2023.
ДЕЯКІ МЕТОДИЧНІ АСПЕКТИ ІНТЕРПРЕТАЦІЇ ІНСТРУМЕНТАЛЬНОГО ДІАЛОГУ В СОНАТІ ДЛЯ СКРИПКИ ТА ФОРТЕПІАНО № 2 М. РАВЕЛЯ.
Засоби навчальної та науково-дослідної роботи,
p.
76.
Güncan, Özge
and
Tanatar, Gizem
2024.
MAURİCE RAVEL’İN DIŞAVURUMCU YÖNÜNÜN BESTECİLİK DİLİNE YANSIMASI: GASPARD DE LA NUİT.
Yegah Müzikoloji Dergisi,
p.
822.