The Cambridge Companion to French Music

doi:10.1017/CCO9780511843242

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2015. Publications Received. Journal of the American Musicological Society, Vol. 68, Issue. 3, p. 711.

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2017. The Cambridge Companion to the Musical.

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Baker, Alan R. H. 2017. Amateur Musical Societies and Sports Clubs in Provincial France, 1848-1914. p. 27.

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Oláh, Boglárka Eszter 2020. Maurice Ravel : Le Tombeau De Couperin – Part II. The Reminiscence of Baroque Dance Forms. Studia Universitatis Babeş-Bolyai Musica, Vol. 65, Issue. 2, p. 297.

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Berry, Mark and Vazsonyi, Nicholas 2020. The Cambridge Companion to Wagner's Der Ring des Nibelungen.

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Oláh, Boglárka Eszter 2021. Minuet - The Reminiscence of the Individual Dance Form in Maurice Ravel’s Piano Works. Studia Universitatis Babeş-Bolyai Musica, Vol. 66, Issue. 1, p. 315.

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Edited by Simon Trezise, Trinity College, Dublin

Publisher:: Cambridge University Press
Online publication date:: March 2015
Print publication year:: 2015
Online ISBN:: 9780511843242
DOI:: https://doi.org/10.1017/CCO9780511843242

Subjects:: Music, Opera, Music: General Interest
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

30.99 (GBP)

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France has a long and rich music history that has had a far-reaching impact upon music and cultures around the world. This accessible Companion provides a comprehensive introduction to the music of France. With chapters on a range of music genres, internationally renowned authors survey music-making from the early middle ages to the present day. The first part provides a complete chronological history structured around key historical events. The second part considers opera and ballet and their institutions and works, and the third part explores traditional and popular music. In the final part, contributors analyse five themes and topics, including the early church and its institutions, manuscript sources, the musical aesthetics of the Siècle des Lumières, and music at the court during the ancien régime. Illustrated with photographs and music examples, this book will be essential reading for both students and music lovers.

'Few devotees of French music and culture will not find a treasure-trove of enlightening information in this brilliantly cast multi-author book … This excellent book is much more than a springboard and will provide an invaluable key for any Francophile wanting to deepen their knowledge of issues, periods and repertoire with which they are not so familiar: questions addressed by the contributors to this learned and expert volume.'

Richard Langham Smith Source: H-France

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The Cambridge Companion to French Music

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