- Cited by 8
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Cited byCrossref Citations
This Book has been cited by the following publications. This list is generated based on data provided by Crossref.
Heaney, Maeve 2014. Can Music “Mirror” God? A Theological-Hermeneutical Exploration of Music in the Light of Arvo Pärt’s Spiegel im Spiegel. Religions, Vol. 5, Issue. 2, p. 361.
Kakalis, Christos 2016. Silence, Stillness and the International Competition for the Arvo Pärt Centre. Architecture and Culture, Vol. 4, Issue. 2, p. 293.
2016. The Cambridge Companion to Film Music. p. 413.
2017. The Cambridge Companion to the Musical.
Elphick, Daniel 2019. Music behind the Iron Curtain.
Berry, Mark and Vazsonyi, Nicholas 2020. The Cambridge Companion to Wagner's Der Ring des Nibelungen.
ARYOL, Hakan 2023. Müzikte Doğrudan Yaratıcılık Düşüncesi: John Tavener ve "The Lamb" Eseri. IBAD Sosyal Bilimler Dergisi, p. 25.
Zeverino, Silvia 2023. Arvo Pärt e l’evoluzione dello stile Tintinnabuli nelle opere per violino. Tabula rasa (1977) e Fratres (1980). Ex Chordis, p. 91.
- Publisher:
- Cambridge University Press
- Online publication date:
- September 2012
- Print publication year:
- 2012
- Online ISBN:
- 9780511842566
- Subjects:
- Twentieth-Century and Contemporary Music, Music, Music: General Interest, Music Performance
- Collection:
- The Cambridge Companions to Music
- Series:
- Cambridge Companions to Music