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  3. Subjectivity and Subjugation in Seventeenth-Century Drama and Prose
  • Cited by 13
Publisher:
Cambridge University Press
Online publication date:
October 2009
Print publication year:
1992
Online ISBN:
9780511553936
DOI:
https://doi.org/10.1017/CBO9780511553936
Subjects:
Literature, Area Studies, Literary Theory, European Literature, European Studies
Series:
Cambridge Studies in French (36)
Information

Book description

This 1992 book analyses the relation between an emergent modern subjectivity in seventeenth-century French literature, particularly in dramatic works, and the contemporaneous evolution of the absolutist state. It shows how major writers of the Classical period (Corneille, Racine, Moliere, Lafayette) elaborate a new subject in and through their representations of the family, and argues that the family serves as the mediating locus of a patriarchal ideology of sexual and political containment. Most importantly, it asks why the theatre became the privileged form of representation in this state, and why this theatre concentrates almost exclusively on family conflict. Professor Greenberg argues that the narrative of oedipal sexuality and subjugation central to this new literary canon reflected the conflicting social, political and economic forces that were shifting European society away from the universe of the Renaissance and guiding it towards the 'transparency' of Classical representation.

Reviews

"...both by the depth and brilliance of his perceptions and the clarity and elegance of his formulations, Mitchell Greenberg has made, with this work, a major contribution to seventeenth-century French studies." Ralph Albanese, Jr., L'Esprit Créateur

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