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  • Cited by 3
Publisher:
Cambridge University Press
Online publication date:
January 2010
Print publication year:
2003
Online ISBN:
9780511615306

Book description

Stanley Kubrick's 'A Clockwork Orange' brings together critically informed essays about one of the most powerful, important and controversial films ever made. Following an introduction that provides an overview of the film and its production history, a suite of essays examine the literary origins of the work, the nature of cinematic violence, questions of gender and the film's treatment of sexuality, and the difficulties of adapting an invented language ('nadsat') for the screen. This volume also includes two contemporary and conflicting reviews by Roger Hughes and Pauline Kael, a detailed glossary of 'nadsat' and stills from the film.

Reviews

"Highly recommended. Academic libraries supporting film studies at the lower-division undergraduate level and above." Choice

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Contents

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General studies of stanley kubrick
Baxter, John (1997). Stanley Kubrick, A Biography. New York: Carroll & Graf Google Scholar
Chion, Michel (2001). Kubrick's Cinema Odyssey. London: British Film Institute Google Scholar
Ciment, Michel (2001). Kubrick: The Definitive Edition. New York: Faber and Faber Google Scholar
Coyle, Wallace (1980). Stanley Kubrick: A Guide to References and Resources. Boston: G. K. Hall Google Scholar
DeVries, Daniel (1973). The Films of Stanley Kubrick. Grand Rapids, MI: William B. Eerdmans Google Scholar
Falsetto, Mario (1994). Stanley Kubrick: A Narrative and Stylistic Analysis. Westport, CT: Praeger Google Scholar
Falsetto, Mario, Ed. (1996). Perspectives on Stanley Kubrick. New York: G. K. Hall Google Scholar
Howard, James (1999). Stanley Kubrick Companion. London: B. T. Batsford Google Scholar
Hughes, David (2000). The Complete Kubrick. Forward by Peter Bogdanovich. London: Virgin Publishing Google Scholar
Kagan, Norman (1996). The Cinema of Stanley Kubrick. New Expanded Edition. New York: Continuum Google Scholar
Kerr, Michael (2000). Kubrick. New York: Grove Press Google Scholar
Kolker, Robert (2000). A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. New York: Oxford University Press, third edition Google Scholar
LoBrutto, Vincent (1997). Stanley Kubrick: A Biography. New York: Penguin Books Google Scholar
Mainar, Luis M. García (2000). Narrative and Stylistic Patterns in the Films of Stanley Kubruck. Rochester, NY: Camden House Google Scholar
Nelson, Thomas Allen (2000). Kubrick: Inside a Film Artist's Maze. New and expanded edition. Bloomington: Indiana University Press Google Scholar
Phillips, Gene D., Ed. (2001). Stanley Kubrick: Interviews. Jackson: University Press of Mississippi Google Scholar
Pipolo, Tony (Spring 2002). “The Modernist and the Misanthrope: The Cinema of Stanley Kubrick.” Cineaste, XXVII Google Scholar, no. 2, 41–5 and 49
Walker, Alexander, Sybil Taylor, Ulrich Ruchti (1999). Stanley Kubrick Director: A Visual Analysis. Revised and expanded. New York: W. W. Norton Google Scholar
The screenplay
Kubrick, Stanley (1972). Stanley Kubrick's Clockwork Orange, Based on the Novel by Anthony Burgess. New York: Abelard-Schuman Google Scholar
Reviews and studies of a clockwork orange
Alpert, Hollis (December 25, 1971). “Milk-Plus and Ultra Violence.” Saturday Review, no. 52, 40–41 Google Scholar
Barr, C. (Summer 1972). “Straw Dogs, A Clockwork Orange, and the Critics.” Screen 13 CrossRef | Google Scholar, no. 2, 17–31
Boyers, Robert (Summer 1972). “Kubrick's A Clockwork Orange: Some Observations.” Film Heritage 7 Google Scholar, no. 4, 1–6
Burgess, Anthony (February 17, 1972). “Clockwork Marmalade.” Listener 87 Google Scholar, no. 2238, 197–99
Burgess, Anthony (June 8, 1972). “Juice from A Clockwork Orange.” Rolling Stone, 52–53 Google Scholar
Burke, Tom (January 30, 1972). “Malcolm McDowell: The Liberals, They Hate ‘Clockwork.’” The New York Times: Section 2, p. 13 Google Scholar
Canby, Vincent (January 9, 1972). “‘Orange’ – ‘Disorienting But Human Comedy.’” The New York Times: Section 2, p. 7 Google Scholar
Collins, F. (1989). “Implied metaphor in the films of Stanley Kubrick.” New Orleans Review, No. 16: 96–100 Google Scholar
Cocks, Jay (December 20, 1971). “Season's Greetings: Bang! Kubrick: Degrees of Madness.” Time: 80 Google Scholar
Denby, David (March 1972). “Pop Nihilism at the Movies.” Atlantic, 229 Google Scholar, no. 3: 100–104
Gow, Gordon (1974–75). “Novel into Film,” in Film Review. edited by Maurice Speed. London: W. H. Allen, 1975: 33–42 Google Scholar
Gumenik, Arthur (Summer 1972). “A Clockwork Orange: Novel into Film.” Film Heritage, 7 Google Scholar, no. 4: 7–18 and 28
Houston, Penelope (December 25, 1971).“Kubrick Country.” Saturday Review 54 Google Scholar, no. 52: 42–44
Hughes, Robert (December 27, 1971).“The Décor of Tomorrow's Hell.” Time 98 Google Scholar, no. 26: 59
Hutchings, William (March 1991). “‘What's It Going to Be Then, Eh?’” The Stage Odyssey of Anthony Burgess's A Clockwork Orange.” Modern Drama, no. 34: 34–48 Google Scholar
Issac, Neil D. (Spring 1973). “Unstuck in Time: Clockwork Orange and Slaughterhouse Five.” Literature/Film Quarterly 1 Google Scholar, no. 2: 122–131
Kael, Pauline (January 1, 1972). “Stanley Strangelove.” The New Yorker 48 Google Scholar: 52-53
Kauffmann, Stanley (January 1 and 8, 1972). “A Clockwork Orange.” The New Republic: 22 and 32 Google Scholar
Kubrick, Stanley (February 27, 1972). “Now Kubrick Fights Back.” The New York Times: Section 2, p. 1 Google Scholar
McCracken, Samuel (1973). “Novel Into Film; Novelist into Critic: A Clockwork Orange … Again.” Antioch Review 32 Google Scholar, no. 3: 427–36
Mamber, Stephen (Winter 1973). “A Clockwork Orange.” Cinema [Los Angeles] 7 Google Scholar, no. 3: 48–57
Moskowitz, Ken (Winter 1977). “Clockwork Violence.” Sight and Sound 46 Google Scholar, no. 1: 22–23, 44
Parmentier, Ernest (July 15, 1971). “A Clockwork Orange.” Filmfacts 14 Google Scholar, no. 24: 649–55
Phillips, Gene (Winter 1972). “Kubrick.” Film Comment 7 Google Scholar, no. 4: 35–45
Rice, Susan (March 1972). “Stanley Klockwork's ‘Cubrick’ Orange.” Media and Methods 8 Google Scholar, no. 7: 39–43
Ricks, Christopher (April 6, 1972). “Horror Show.” New York Review of Books: 28–31 Google Scholar
Riley, Clayton (January 9, 1972). “ … Or ‘A Dangerous, Criminally Irresponsible Horror Show?” The New York Times: Section 2, p. 1 Google Scholar
Samuel, Charles Thomas (Summer 1972). “The Context of A Clockwork Orange.” American Scholar 41 Google Scholar, no. 3: 439–43
Sarris, Andrew (December 30, 1971). “Films in Focus.” Village Voice 16 Google Scholar, no. 52: 49–50
Schickel, Richard (February 4, 1972). “Future Shock and Family Affairs.” Life 72 Google Scholar, no. 4: 14
Sklar, Robert (1988). “Stanley Kubrick and the American Film Industry.” Current Research in Film, no. 4: 114–124 Google Scholar
Strick, Phillip (Winter 1972). “Kubrick's Horrorshow.” Sight and Sound 41 Google Scholar, no.1: 44–46
Strick, Phillip, and Penelope, Houston, (Spring, 1972). “Interview with Stanley Kubrick.” Sight and Sound 41 Google Scholar, no. 2: 62–66
Wagner, Geoffrey (1975). The Novel and the Cinema. Madison, N.J.: Fairleigh Dickinson University Press: 307–13 Google Scholar
Walker, Beverly (1972). “From Novel to Film: Kubrick's A Clockwork Orange.” Women and Film 2 Google Scholar: 4
Zimmerman, Paul D. (January 3, 1972). “Kubrick's Brilliant Vision.” Newsweek 79 Google Scholar, no. 1: 29

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