- Cited by 6
-
Cited byCrossref Citations
This Book has been cited by the following publications. This list is generated based on data provided by Crossref.
Gribenski, Michel 2013. Du poème à la partition et à la performance: l’exemple de ‘Clair de lune’ et de ses mises en musique au tournant des XIXeet XXes.. Dix-Neuf, Vol. 17, Issue. 1, p. 78.
Finch-Race, Daniel A. 2015. Ecopoetic ruminations in Baudelaire’s ‘Je n’ai pas oublié’ and ‘La Servante au grand cœur’. Green Letters, Vol. 19, Issue. 2, p. 170.
Scott, Clive 2016. The Stuttering Poet: A Deleuzian Reading of a Laforguian Poetics. Dix-Neuf, Vol. 20, Issue. 1, p. 9.
Revely-Calder, Cal 2018. Choreographed Footfalls. Journal of Beckett Studies, Vol. 27, Issue. 1, p. 54.
Andrews, Richard 2021. Polyrhythmicity in Language, Music and Society. Vol. 12, Issue. , p. 69.
Daikoku, Tatsuya Lee, Charlotte and Goswami, Usha 2024. Amplitude modulation structure in French and German poetry: universal acoustic physical structures underpin different poetic rhythm structures. Royal Society Open Science, Vol. 11, Issue. 9,
- Publisher:
- Cambridge University Press
- Online publication date:
- October 2009
- Print publication year:
- 1986
- Online ISBN:
- 9780511519574
- Subjects:
- Literature, Area Studies, Literary Theory, European Literature, European Studies
- Series:
- Cambridge Studies in French (14)