Othello

William Shakespeare

doi:10.1017/9780511812453

Othello

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Ho, Thomas 2014. Mabo, The Castleand many worlds: travelling between the multiple universes of law and literature. Griffith Law Review, Vol. 23, Issue. 4, p. 634.

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Francis, Kathryn B. Howard, Charles Howard, Ian S. Gummerum, Michaela Ganis, Giorgio Anderson, Grace Terbeck, Sylvia and Wan, Xiaoang 2016. Virtual Morality: Transitioning from Moral Judgment to Moral Action?. PLOS ONE, Vol. 11, Issue. 10, p. e0164374.

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Panther, Leah and Hughe, Selena 2020. Teaching Shakespeare: “The Old Black Ram”:Using Othello to Study Racializing Language. English Journal , Vol. 110, Issue. 1, p. 111.

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Wang, Rui 2023. The Construction and Deconstruction of the Other--On Unreliable Narratives in Othello. Journal of Education, Humanities and Social Sciences, Vol. 21, Issue. , p. 109.

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2nd edition
William Shakespeare
Edited by Julie Hankey

Publisher:: Cambridge University Press
Online publication date:: August 2019
Print publication year:: 2005
Online ISBN:: 9780511812453
DOI:: https://doi.org/10.1017/9780511812453

Subjects:: Literature, Literary Texts
Series:: Shakespeare in Production

32.99 (GBP)

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This second edition of Othello updates the first (Bristol Classical Press, 1987), both chronologically and conceptually. It includes consideration of productions from the last seventeen years, and reconsiders earlier material in the light of more recent critical attitudes. Post-colonial and feminist studies have had an impact on the way Othello is perceived and interpreted. The question of blacked-up/black/colour-blind casting and the significance of white and/or black audiences in different political and racial contexts have recently become much more clearly articulated. In the process, Shakespeare himself has not escaped the charge of racism. Equally, the position of Desdemona has received more focussed attention, both as the forbidden object of desire within a racial framework, and as a woman in her own right. This edition takes account of these developments in criticism, in the theatre, on film, and in the adaptations which set out to interrogate Shakespeare's text.

‘I cannot recommend too highly the whole series to all theatre lovers, theatregoers, theatre practitioners, and anybody who enjoys Shakespeare.’

Robert Tanitch Source: What's on in London

'…ground breaking in the specific area it covers…

Lukas Erne - Professor of English, University of Geneva

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Othello

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