On Beckett: Essays and Criticism

doi:10.7135/UPO9780857285805

On Beckett

Essays and Criticism

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This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

2013. Books Received. Theatre Research International, Vol. 38, Issue. 2, p. 176.

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Heron, Jonathan 2021. #failbetter. Journal of Beckett Studies, Vol. 30, Issue. 1, p. 82.

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Edited by S. E. Gontarski

Publisher:: Anthem Press
Online publication date:: May 2013
Print publication year:: 2012
Online ISBN:: 9780857285805
DOI:: https://doi.org/10.7135/UPO9780857285805

Series:: Anthem Studies in Theatre and Performance
Subjects:: Drama and Theatre: General Interest, Drama, Theatre, Performance Studies

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�On Beckett: Essays and Criticism� is the first collection of writings about the Nobel Prize�winning author that covers the entire spectrum of his work, and also affords a rare glimpse of the private Beckett. More has been written about Samuel Beckett than about any other writer of this century � countless books and articles dealing with him are in print, and the progression continues geometrically. �On Beckett� brings together some of the most perceptive writings from the vast amount of scrutiny that has been lavished on the man; in addition to widely read essays there are contributions from more obscure sources, viewpoints not frequently seen. Together they allow the reader to enter the world of a writer whose work has left an impact on the consciousness of our time perhaps unmatched by that of any other recent creative imagination.

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Frontmatter
pp i-vi
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Contents
pp vii-x
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The Essential Beckett: A Preface to the Second Edition
pp xi-xvi
- By S. E. Gontarski, Florida State University
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A Beckett Chronology
pp xvii-xxvi
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Acknowledgments
pp xxvii-xxx
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Crritics and Crriticism: “Getting Known”
pp 1-12
- By S.E. Gontarski, Florida State University
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Preliminaries
pp 13-14
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Beckett and Merlin
pp 15-22
- By Richard W. Seaver, Editor and founder of Merlin
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Samuel Beckett and the Visual Arts: The Embarrassment of Allegory
pp 23-35
- By Dougald McMillan, The History of a Literary Era
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When is the End Not the End? The Idea of Fiction in Beckett
pp 36-50
- By Wolfgang Iser, English and comparative literature at the University
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The Page
pp 51-52
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Murphy and the Uses of Repetition
pp 53-71
- By Rubin Rabinovitz, English at the University of Colorado
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Watt
pp 72-91
- By Lawrence E. Harvey, Professor of English at Dartmouth College
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Mercier and Camier: Narration, Dante, and the Couple
pp 92-102
- By Eric P. Levy, the University of British
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Molloy's Silence
pp 103-110
- By Georges Bataille, French novelist, essayist
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Where Now? Who Now?
pp 111-117
- By Maurice Blanchot, French novelist and critic whose major critical work
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The Voice and Its Words: How It Is
pp 118-132
- By J. E. Dearlove, Samuel Beckett and is the author
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The Unnamable's First Voice?
pp 133-137
- By Chris Ackerley, The University of Otago
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Between Verse and Prose: Beckett and the New Poetry
pp 138-151
- By Marjorie Perloff, literature at Stanford University
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Worstward Ho
pp 152-154
- By Dougald McMillan, The History of a Literary Era
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The Stage
pp 155-156
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MacGowran on Beckett
pp 157-166
- By Richard Toscan, The University of Southern California
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Blin on Beckett
pp 167-174
- By Tom Bishop, New York University
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Working with Beckett
pp 175-188
- By Alan Schneider, Tony Award-winning American
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Notes from the Underground: Waiting for Godot and Endgame
pp 189-208
- By Herbert Blau, English at the University of Washington
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Beckett Directs Godot
pp 209-217
- By Walter D. Asmus, theater director in Germany
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Beckett Directs: Endgame and Krapp's Last Tape
pp 218-231
- By Ruby Cohn, the University of California
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Literary Allusions in Happy Days
pp 232-244
- By S. E. Gontarski, Florida State University
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Counterpoint, Absence, and the Medium in Beckett's Not I
pp 245-252
- By Paul Lawley, The University of Plymouth
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Rehearsal Notes for the German Premiere of Beckett's That Time and Footfalls
pp 253-264
- By Walter D. Asmus, Director in Germany
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