Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Revill, George
1991.
The lark ascending: monument to a radical pastoral.
Landscape Research,
Vol. 16,
Issue. 2,
p.
25.
1994.
The Imaginary Museum of Musical Works.
p.
x.
Goehr, Lydia
1994.
The Imaginary Museum of Musical Works.
p.
13.
Goehr, Lydia
1994.
The Imaginary Museum of Musical Works.
p.
44.
1994.
The Imaginary Museum of Musical Works.
p.
iv.
1994.
The Imaginary Museum of Musical Works.
p.
v.
Rehding, Alexander
2000.
The Quest for the Origins of Music in Germany Circa 1900.
Journal of the American Musicological Society,
Vol. 53,
Issue. 2,
p.
345.
Bender, Bert
2000.
Sex and Evolution in Willa Cather'sO Pioneers!andThe Song of the Lark.
Prospects,
Vol. 25,
Issue. ,
p.
565.
2001.
The Cambridge History of Nineteenth-Century Music.
Williamson, John
2001.
The Cambridge History of Nineteenth-Century Music.
p.
285.
Cook, Nicholas
2002.
The Cambridge History of Western Music Theory.
p.
78.
Rehding, Alexander
2003.
Hugo Riemann and the Birth of Modern Musical Thought.
2004.
Perception And Cognition Of Music.
p.
60.
Nicholls, David
2004.
The Cambridge History of Twentieth-Century Music.
p.
210.
Agawu, Kofi
2005.
A Companion to African Philosophy.
p.
404.
Graziano, Amy B.
and
Johnson, Julene K.
2006.
Richard Wallasche's Nineteenth-Century Contributions to the Psychology of Music.
Music Perception,
Vol. 23,
Issue. 4,
p.
293.
Rasula, Jed
2007.
“Listening to Incense”:Melomania & the Pathos of Emancipation.
Journal of Modern Literature,
Vol. 31,
Issue. 1,
p.
1.
Rothfarb, Lee
2011.
Nineteenth-Century Fortunes of Musical Formalism.
Journal of Music Theory,
Vol. 55,
Issue. 2,
p.
167.
Lawson, Colin
and
Stowell, Robin
2012.
The Cambridge History of Musical Performance.
Long, Marion
Creech, Andrea
Gaunt, Helena
Hallam, Susan
and
Robertson, Linnhe
2012.
Blast from the past: Conservatoire students’ experiences and perceptions of public master classes.
Musicae Scientiae,
Vol. 16,
Issue. 3,
p.
286.
