- Cited by 6
-
Cited byCrossref Citations
This Book has been cited by the following publications. This list is generated based on data provided by Crossref.
Wiskus, Jessica 2006. Thought Time and Musical Time. Angelaki, Vol. 11, Issue. 2, p. 179.
Greene, David 2013. Open Completeness: Messiaen’s “Quartet for the End of Time”. Religion and the Arts, Vol. 17, Issue. 5, p. 523.
Giaccardi, Giorgio 2015. Unconscious Processes, Instrumental Music and the Experience of the Sublime: An Exploration through Messiaen's Quartet for the End of Time. British Journal of Psychotherapy, Vol. 31, Issue. 4, p. 448.
Noble, Jason D. K. 2018. What Can the Temporal Structure of Auditory Perception Tell Us about Musical “Timelessness”?. Music Theory Online, Vol. 24, Issue. 3,
Ong, Darren C. 2020. Quasiperiodic music. Journal of Mathematics and the Arts, Vol. 14, Issue. 4, p. 285.
ÖZATALAY, Yiğit 2021. Biçimsel, Perdesel ve Ritmik Düzenin Bütünlüğü Açısından Regard Des Anges. Art-e Sanat Dergisi, Vol. 14, Issue. 27, p. 498.
- Publisher:
- Cambridge University Press
- Online publication date:
- June 2012
- Print publication year:
- 1998
- Online ISBN:
- 9781139166928
- Series:
- Cambridge Music Handbooks