Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Prasad, M. Madhava
2001.
Melodramatic polities?.
Inter-Asia Cultural Studies,
Vol. 2,
Issue. 3,
p.
459.
Rajadhyaksha, Ashish
2001.
Introduction.
Inter-Asia Cultural Studies,
Vol. 2,
Issue. 3,
p.
455.
2008.
The Cinema of Naruse Mikio.
p.
226.
2008.
The Cinema of Naruse Mikio.
p.
405.
2008.
The Cinema of Naruse Mikio.
p.
315.
2008.
The Cinema of Naruse Mikio.
p.
435.
2008.
The Cinema of Naruse Mikio.
p.
398.
2008.
The Cinema of Naruse Mikio.
p.
39.
2008.
The Cinema of Naruse Mikio.
p.
131.
2008.
The Cinema of Naruse Mikio.
p.
81.
2008.
The Cinema of Naruse Mikio.
p.
431.
Baldacchino, Jean-Paul
2008.
Eros and Modernity: Convulsions of the Heart in Modern Korea1.
Asian Studies Review,
Vol. 32,
Issue. 1,
p.
99.
2008.
The Cinema of Naruse Mikio.
p.
1.
2008.
The Cinema of Naruse Mikio.
p.
167.
Yang, Fang-chih Irene
2008.
The Genrification of “Korean Drama” in Taiwan.
China Information,
Vol. 22,
Issue. 2,
p.
277.
Yau Shuk-ting, Kinnia
2009.
The Early Development of East Asian Cinema in a Regional Context.
Asian Studies Review,
Vol. 33,
Issue. 2,
p.
161.
Chaudhuri, Shohini
2009.
Snake charmers and child brides: Deepa Mehta'sWater, ‘exotic’ representation, and the cross‐cultural spectatorship of South Asian migrant cinema.
South Asian Popular Culture,
Vol. 7,
Issue. 1,
p.
7.
Yeh, Emilie Yueh-yu
2009.
Pitfalls of cross-cultural analysis: Chinesewenyifilm and melodrama.
Asian Journal of Communication,
Vol. 19,
Issue. 4,
p.
438.
Arriola, Joyce L.
2010.
A Third Way to Film the Story: A Filipino Film Adaptation of a Work of Literary Journalism.
South East Asia Research,
Vol. 18,
Issue. 2,
p.
271.
Chung, Simone Shu‐Yeng
2012.
An Occasion for Collective Engagement: Shifting Political Hegemonies in Early Malay Epic Dramas.
Studies in Ethnicity and Nationalism,
Vol. 12,
Issue. 1,
p.
136.