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Ellmann, Richard. Ulysses on the Liffey. London: Faber and Faber, 1972.
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Fordham, Finn. I Do I Undo I Redo: The Textual Genesis of Modernist Selves in Hopkins, Yeats, Conrad, Forster, Joyce, and Woolf. Oxford: Oxford University Press, 2010.
Forster, E. M. Aspects of the Novel. London: Penguin, 1963.
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Frank, Nino. ‘The Shadow That Had Lost Its Man’. Portraits of the Artist in Exile: Recollections of James Joyce by Europeans. Ed. Potts, Willard. Dublin: Wolfhound Press, 1979. 74–105.
Franke, William. Dante’s Interpretive Journey. Chicago: University of Chicago Press, 1994.
Fraser, Jennifer Margaret. Rite of Passage in the Narratives of Dante and Joyce. Gainesville: University Press of Florida, 2002.
Freeman, Mark. Rewriting the Self: History, Memory, Narrative. London: Routledge, 1993.
Friedman, John Block. ‘Antichrist and the Iconography of Dante’s Geryon’. Journal of the Warburg and Courtauld Institutes 35 (1972). 108–22.
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Fumagalli, Maria Cristina. ‘“What Dante Means to Me”: Seamus Heaney’s Translation of the First Three Cantos of Dante’s Inferno’. Agenda 34 (1997). 204–34.
Gabler, Hans Walter. ‘Narrative Rereadings: Some Remarks on “Proteus”, “Circe” and “Penelope”’. James Joyce 1: ‘Scribble’ 1, Genèse des Textes. Ed. Jacquet, Claude. Paris: Minard, 1988. 57–68.
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Gottfried, Roy. Joyce’s Misbelief. Gainesville: University Press of Florida, 2008.
del Greco Lobner, Corinna. James Joyce’s Italian Connection: The Poetics of the Word. Iowa City: University of Iowa Press, 1989.
del Greco Lobner, Corinna. ‘Letters to the Editor’. James Joyce Quarterly 24 (1987). 235–7.
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