‘Drawing on the perspectives of ordinary soldiers, Julia S. Torrie has written an imaginatively conceived and exhaustively researched study of the German occupation of France. The strength of this book lies in the paradox it presents: the opportunities for leisure, tourism, and consumption to maintain morale versus the fear that such practices undermined the will to fight.'
Shelley Baranowski - University of Akron
‘Julia S. Torrie provides a fascinating portrait of ordinary German soldiers' experiences as occupiers through the lens of their enjoyable leisure activities (notably commensality, tourism, shopping, and photography) and explores the discordance between these longer-term, ‘soft' occupiers and their ‘harder' counterparts who transferred into France from other Fronts. The book makes a splendid contribution to the historiography.'
Sandra Ott - University of Nevada, Reno
‘The Germans arrived in France in June 1940 as conquerors. As Julia S. Torrie explores in this remarkable book, they soon became economic managers, cultural tourists, private traders, lovers and prolific photographers. Torrie weaves together individual experiences in order to enrich the wider pattern with consummate skill. A tour de force.'
Nicholas Stargardt - University of Oxford
'… an excellent book, a very real contribution to the study of the linkages of consumerism and war. … is a must-read for those interested not only in the German occupation of France during the Second World War but also the larger connections of leisure and war that help explain why war is possible, how it continues, and some of the effects it has afterward.'
Bertram M. Gordon
Source: H-France
‘… an important and innovative study …’
Sina Fabian
Source: H-Soz-u-Kult
'… Torrie has produced a must-read study. She does a good job contextualizing her material and situating her volume within existing historiographies of military occupation, National Socialism, and such social phenomena as tourism and shopping. Her book is very well written and each chapter starts with an engaging vignette.'
Perry Biddiscombe
Source: H-Net