Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Mavromatis, Panayotis
2009.
Minimum description length modelling of musical structure.
Journal of Mathematics and Music,
Vol. 3,
Issue. 3,
p.
117.
Mavromatis, Panayotis
2012.
Exploring the Rhythm of the Palestrina Style.
Journal of Music Theory,
Vol. 56,
Issue. 2,
p.
169.
Marsden, Alan
2012.
Response to Guerino Mazzola.
Journal of Mathematics and Music,
Vol. 6,
Issue. 2,
p.
103.
Velarde, Gissel
Weyde, Tillman
and
Meredith, David
2013.
An approach to melodic segmentation and classification based on filtering with the Haar-wavelet.
Journal of New Music Research,
Vol. 42,
Issue. 4,
p.
325.
Straus, Joseph N.
2014.
Harmony and Voice Leading in the Music of Stravinsky.
Music Theory Spectrum,
Vol. 36,
Issue. 1,
p.
1.
Yust, Jason
2015.
Voice-Leading Transformation and Generative Theories of Tonal Structure.
Music Theory Online,
Vol. 21,
Issue. 4,
Gjerdingen, Robert
and
Bourne, Janet
2015.
Schema Theory as a Construction Grammar.
Music Theory Online,
Vol. 21,
Issue. 2,
Rabinovitch, Gilad
and
Slominski, Johnandrew
2015.
Towards a Galant Pedagogy.
Music Theory Online,
Vol. 21,
Issue. 3,
Hooker, J. N.
2016.
Principles and Practice of Constraint Programming.
Vol. 9892,
Issue. ,
p.
753.
2016.
Mozart's Music of Friends.
p.
198.
Arndt, Matthew
2017.
The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg.
p.
73.
Rabinovitch, Gilad
2017.
C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch.
Musicologica Brunensia,
p.
89.
Parkhurst, Bryan J.
2017.
Making a Virtue of Necessity.
Journal of Music Theory,
Vol. 61,
Issue. 1,
p.
59.
Rabinovitch, Gilad
2018.
Gjerdingen’s Schemata Reexamined.
Journal of Music Theory,
Vol. 62,
Issue. 1,
p.
41.
Cordeiro, Djalma Bianco
and
Freitas, Sergio Paulo Ribeiro de
2019.
Leis artificiais de inversão e leis naturais de desenvolvimento: revisando uma oposição que permeia o Harmonielehre de Schenker.
DAPesquisa,
Vol. 14,
Issue. 24,
p.
068.
Tymoczko, Dmitri
2020.
Why topology?.
Journal of Mathematics and Music,
Vol. 14,
Issue. 2,
p.
114.
Marlowe, Sarah
2020.
Resolving Tensions between Outer Form and Inner Form in Fugue: A Comparative Analysis of J. S. Bach’s Fugue in D minor (WTCI).
Music Theory Online,
Vol. 26,
Issue. 3,
Rabinovitch, Gilad
2020.
Reimagining Historical Improvisation.
Music Theory Online,
Vol. 26,
Issue. 2,
Sewell, Ian
2021.
When All You Have is a Hammer: Surface/Depth as Good Comparison.
Music Theory Spectrum,
Vol. 43,
Issue. 2,
p.
197.